Soma Enner Handleiding

Soma Synthesizer Enner

Lees hieronder de 📖 handleiding in het Nederlandse voor Soma Enner (3 pagina's) in de categorie Synthesizer. Deze handleiding was nuttig voor 29 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

Pagina 1/3

as well as separate outputs. Sliding on

the ﬁlters’ pads with your ﬁngers you

can create arich stereo image where

each channel may have not only indivi-

dual volume properties but also timbral

ones. The outputs of the ﬁlters are mi-

xed together and connected to the main

output. Also in the triangle, you have

astereo direct input (DIR) that lets you

bypass the ﬁlters.

2. The modulated stereo delay. The in-

put of the delay is the two pads on the

top of the triangle (DLY blue). The out-

put of the delay is mixed with ﬁlter out-

put and connected to the main output.

Also, you have delay output connected

to the pads placed on the left and right

sides from the top of the triangle (DLY

orange) that lets you create feedback

and other interesting effects. The delay

has two separate lines (left and right)

with individual TIME controls (ВРЕМЯ

pots), common FEEDBACK and the

common pot that deﬁnes the amount

of self-modulation (BIZZARE). The

ВРЕМЯ pots are also touch inputs for

delay time modulation.

3. On the right side of ENNER, there is

aﬁve-voice synthesizer with individual

adjustment of frequency for each voice

(TUNE knobs) with the possibility to

change the pitch of all voices simulta-

neously (PITCH knob). TUNE knobs are

also the outputs of the voices, so by

touching them you can patch the voices

to the ﬁlter’s inputs. The synthesizer

has separate output pads for each voice

(pads OUT 1–5), individual modulation

inputs (MOD 1–5) and ring modulation

outputs (the RING 12, 23, 34 numbers

indicate which voices are sources for

the ring modulation). Connecting MOD

and OUT pads of one voice with your

ﬁngers will pitch it up. The ﬁfth voice

has an additional modulation pad MOD

5 — which can shift the pitch of the ﬁfth

voice down (connect it to +12 pad or

any pad that has some positive signal

including the output of the ﬁfth voice).

4. On the left side of ENNER, there is

the second synth that has one master

generator, the output of which is di-

vided six times by two with individual

outputs for each stage of division (PUL-

SE 1–6). This synth is aimed at creating

rhythmical clicks, basses and octave

tones. The frequency of the master ge-

nerator is deﬁned by the TEMPO knob.

The output pads &1,2,3 are logical mul-

tiplications of different PULSE outputs

giving additional and more complex

rhythm combinations.

5. ENNER is also an electro- acoustic

noise instrument. It has apiezo pickup

attached to the front panel that captu-

res sound from the casing itself. There

is metallic spring and you can attach

rubber bands to the panel to crea-

te various acoustic sounds. The piezo

mic can capture clicks and scratches

you make with your ﬁngers, and it also

allows you to create ﬁltered feedback.

Not only that, it can even capture

your voice singing over the panel! To

get sound from the piezo you have to

connect the PIEZO OUT pad with some

ﬁlters or delay inputs. Applying ﬁlters

and delay on the piezo out while the

panel works as amic, catching the au-

dio signal from the speakers connected

to the ENNER output lets you create

very cool acoustic feedback- based ef-

fects. PIEZO GAIN adjusts the piezo

sensitivity.

6. The bottom of the triangle (NOISE

pad) is the output of static pink noise.

ENNER is avery expressive sound tool

that can generate bits, pads, FX, noi-

ses, clicks, glitches, but also function as

acool vocal mic with built-in analog FX

and much more! Amusician with arich

imagination and who’s experienced in

playing ENNER can perform an entire

exciting gig using just this synth.

As an instrument, ENNER is aunique

analog synthesizer with the key prin-

ciple being that all signals that make

sound pass through and are managed

by your body. Your hands become the

central part of the circuitry. Touching

different contact pads with different

parts of your ﬁngers and palms with

different amounts of pressure, letting

signals pass through your body deﬁnes

the mixing, volume, timbre, feedback

and other parameters of synthesis. Hu-

man skin has much more complex elec-

tric properties than we think. Our skin

provides not just resistance but also

some capacitive properties and even

nonlinear dependence of conductivity

from current, its direction and time du-

ring which the current was applied. All

of this affects the sound, making you

the key part of the synthesis process.

All pots of ENNER are metallic and also

function as inputs or outputs. Touching

apot can change not only the parame-

ters but also patch the audio signals.

ENNER consist of:

1. The array of ﬁlters with ﬁxed frequency

properties (the triangle in the center):

the stereo high pass ﬁlter (HPF), the ste-

reo bandpass ﬁlter (high mid

—

BPFH),

the stereo bandpass ﬁlter (low mid

—

BPFL), the stereo lowpass ﬁlter (LPF).

Stereo means that the ﬁlters have se-

parate inputs for left and right channels

USER

MANUAL

7. External in (EXT socket and EXT pad)

lets you send an external audio signal

to ENNER and process it through the

array of ﬁlters, delay and other ENNER

stuff.

All of these features make ENNER

a simple yet powerful kit of sound

sources and FX that give you arich and

diverse sound palette with many pos-

sible playing techniques that you can

change very fast as there is no other

control over the sound other than your

touches.

ENNER was inspired by and developed

together with Danish sound- artist SiS-

TOR (Dalin Waldo). She created the de-

sign of the front panel (pads layout and

handwritten inscriptions) and she came

up with the name ENNER.

Dalin Waldo

DISCLAIMER

1. ENNER is a body-patching synth. It

means that some weak current ﬂows

through your body. The voltage applied

on the pads does not exceed 12 volts

and is absolutely safe for humans and

animals. It is just slightly more than

the voltage in the PP3, E-Block battery

that’s typically used in children’s toys.

For the majority of people, it doesn’t

cause any sensations in their ﬁngers,

except for some subtle ones that may

happen in some patches. We consider

these sensations to be a normal side

effect, just like playing guitar can cause

calluses on your ﬁngertips. However,

some people can be more sensitive to

electricity and may experience unplea-

sant sensations while playing ENNER.

Please note that we don’t accept the

experiences of sensitive users as a

case of faulty hardware or warranty

case. If you are one of the exceptio-

nally sensitive people out there, per-

haps a body-patching synth is not a

good choice for you. Please consider

this when making your decision about

purchase. Also, if you have a cardio-

stimulator or similar medical device

installed in your body, please consult

with your doctor before buying and

using ENNER!

2. ENNER uses pots shafts as additi-

onal contacts for patching. This is not

a standard usage of pot construction

and is designed without a guarantee

of constant and good contact between

pot shaft and pot body where the si-

gnal is connected. So during the ro-

tation of the pots some crackles may

happen once in a while if you use the

pot as a sound output at the same

time. As this function is experimental

we don’t accept the presence of such

crackles as a reason to consider your

unit faulty and open a warranty case.

Also, several turns of the pot back and

forth usually makes the contact good

again. Bottomline, this is an experi-

mental function and an unusual usage

of pot construction, so we hope for

your understanding when it comes to

the pots’ performance and the unique

functionality our innovative approach

offers.

3. ENNER uses a PCB as the top pa-

nel. The PCBs are produced in an

electronics factory using standard

production procedures. Due to this,

the PCBs may have minor scratches

and marks inherent to the manufac-

turing process. Such small defects will

be almost invisible in most cases wi-

thout a close inspection and will not

be accepted as a reason for return or

exchange of the product! Obviously,

we discard all seriously damaged or

defective PCBs and don’t use them

for Enner.

4. As all audio signals in ENNER ﬂow

through your body, some weak hum

and interferences are always present

in the audio output even with a good

grounding. However, if the grounding

is done properly this hum will not be

audible in a real performance (you can

check its level in this video). Such a

weak hum that you can hear touching

ENNER inputs doesn’t mean that your

unit is faulty and is not a case for war-

ranty repair or replacement

WHAT’S IN THE KIT

1. ENNER

2. 12V center plus PSU

3. Several rubber bands

ENNER will be available in two colours:

black and red. Please see the pictures

on the top of the DESCRIPTION page.

RUBBER BANDS

As ENNER is also an electro-acoustic

instrument it has several points for

attaching things that can make sound.

Something nice and cheap that works

ﬁne here is a normal rubber band for

banknotes that you can get in any sta-

tionary shop.

Using several rubber bands you can

make a funny rubber harp.

Array of ﬁlters

Pads DIR

—

direct input (noﬁlters)

Pads HPF

—

highpass ﬁlter in

Pads BPFH

—

bandpass ﬁlter

high mid in

Pads BPFL

—

bandpass ﬁlter low mid in

Pads LPF

—

lowpass ﬁlter in

(L–

left channel, R

—

right channel)

Pink noise generator

NOISE

—

noise output

Delay

Pads DLY

(blue)

—

delay in

Pads DLY

(orange)

—

delay out

(L–

left channel, R

—

right channel)

Pots ВРЕМЯ

—

delay time (Land R)

also time modulation inputs

The UROBOROS pot

—

feedback (both

channels)

Pot BIZZARE

—

delay self-modulation

Piezo

Pad PIEZO OUT

—

the output

Pot PIEZO GAIN

—

piezo ampliﬁcation

(also piezo output)

The ﬁve-voice synth

Pads OUT 1–5

—

outputs

of the voices

Pads MOD 1–5

—

modulation inputs

of the voices (try to connect them

with OUT)

Pads RING 12, 23, 34

—

outputs

of ring modulators that multiply

outputs of different voices

Pad MOD 5

—

an additional modula-

tion input for the ﬁfth voice (try to

connect it with +12)

Pots TUNE 1–5

—

frequency of the

voices (also voices outputs)

Pot PITCH

—

transposing all voices

atonce.

Rhythm/Bass synth

Pads PULSE 1–6 —

output of binary

dividers

Pads &1, 2, 3 —

additional outputs

that are logical AND of different

PULSE outputs.

Pot TEMPO

—

the frequency of the

source generator

External

Socket EXT

—

external in

Pad EXT

—

connected to EXT socket

tip

Power

+12V center + 0.2A. ENNER requires

agood stabilized and ﬁltered PSU. We

recommend contemporary switching

mode PSUs with awide input range.

The PSU is included.

Grounding

In order that when playing on ENNER

there would be no hum from the elec-

tricity grid interferences, the device

must be properly grounded! Anormal

grounding connection at the electric

socket, which is carried through the

power cord to your audio equipment

to which the ENNER is connected, is

sufﬁcient.

FEEDBACK

TIME MOD

GND

OUT 5

OUT 3

OUT 1

OUT 2

OUT 4

EXT

AUDIO IN AUDIO OUT MODULATION IN MODULATION IN

/ AUDIO OUT POT SOCKET

TO GET SOME SOUND CONNECT SOMETHING FROM AND BY FINGERSTHIS THIS

EXT

TIME MOD

PITCH MOD

PULSE 1

PULSE 3

PULSE 2

TEMPO

TEMPO MOD

PULSE 5

PULSE 4

DIR-L DIR-R

PULSE 6

& 3

& 2 & 1

PIEZO OUT

+ 12 V

MOD 5

MOD 5-

RING 34

RING 23

RING 12

OUT 5

OUT 4

OUT 3

OUT 2

OUT 1

MOD 4

MOD 3

MOD 2

MOD 1

VOLUME

OUT-L

TUNE 5

TUNE 4

TUNE 3

TUNE 2

PITCH

TUNE 1

OUT-L

POWER

DLY R

DLY L

PIEZO OUT

PIEZO GAIN

HPF-L HPF-R

BPFH-L BPFH-R

BPFL-L BPFL-R

LPF-L LPF-R

NOISE

Product specificaties

Merk:	Soma
Categorie:	Synthesizer
Model:	Enner

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