Sontronics Sigma 2 Handleiding

Sontronics Microfoon Sigma 2

Lees hieronder de 📖 handleiding in het Nederlandse voor Sontronics Sigma 2 (1 pagina's) in de categorie Microfoon. Deze handleiding was nuttig voor 53 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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SIGMA USER GUIDE

BRITISH DESIGN • WORLD CLASS

GETTING THE MOST FROM

YOUR SONTRONICS SIGMA

• Getting started: Connect your XLR cable to your preamp or mixing console, then turn on the

phantom power. Unlike regular ribbon microphones, SIGMA only works with phantom power.

• Microphone placement: Remember, SIGMA is much more sensitive than transformer-based ribbon

microphones, and therefore requires slightly different placement techniques to achieve the best

results. Think of SIGMA like your ear when considering the proximity to the source you are

recording, and take care not to overload the delicate ribbon membrane itself. For example, when

miking an electric guitar cabinet, you can afford to place SIGMA two or three feet further back than

you would put a regular ribbon microphone. However, when miking string instruments such as

violin or cello, SIGMA is happy to be placed closer to the source. Thanks to its increased sensitivity

and stable, consistent output levels, SIGMA requires less gain from your preamp and therefore

allows you to record at higher levels with less noise.

• Protection: It is sometimes useful to angle the front face of SIGMA at 45° to the oor in order to

minimise the potentially damaging effects of wind blast to the ribbon. A pop lter, such as the

Sontronics ST-POP, should always be used when recording speech, vocals and brass/wind

instruments. NEVER BLOW DIRECTLY INTO SIGMA!

• Pickup pattern: SIGMA’s pickup pattern is gure-of-eight and, in common with all ribbon

microphones, you will notice slightly different characteristics when recording from the front or from

the rear. This is quite normal, and can be very useful.

• Frequency response: One of the primary characteristics of ribbon microphones is that, unlike

many condenser microphones, they do not have an accentuated high-frequency response. To the

untrained ear, this can sound quite strange, but once your ears have grown accustomed to this

phenomenon, it will become evident how useful SIGMA is, especially when recording instruments

that have a high-frequency bias. As a result, room ambience and ‘air’ are minimised, and it can

sound as if the instrument is being played right next to you.

• Applications: Thanks to its very specic frequency response characteristics, users have told us

that SIGMA is perfect for recording the following: cello, violin, spoken word/broadcast, alto and

tenor saxophone, accordion, drum overheads, acoustic guitar, electric guitar cabinets, ute,

trumpet and piano. Of course, if you nd SIGMA produces great results on any other instruments or

sources, please let us know!

Find out more about the full range of microphones SONTRONICS

and audio products at www.sontronics.com

Product specificaties

Merk:	Sontronics
Categorie:	Microfoon
Model:	Sigma 2

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