Neumann MT 48 Handleiding

Neumann Niet gecategoriseerd MT 48

Lees hieronder de πŸ“– handleiding in het Nederlandse voor Neumann MT 48 (39 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 31 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

Pagina 1/39
 ξ˜›ξ˜žξ˜šξ˜™ξ˜˜ξ˜›ξ˜› ξ˜Ÿξ˜™ξ˜—ξ˜– Β· ξ˜•ξ˜žξ˜”ξ˜“ξ˜’ξ˜”ξ˜Ÿξ˜žξ˜œ ξ˜‘ξ˜ξ˜œ.  Β·  ξ˜—ξ˜žξ˜œξ˜•ξ˜”ξ˜› Β· ξ˜Ÿξ˜žξ˜œξ˜™ξ˜˜ξ˜›ξ˜‹
ξ˜ξ˜žξ˜• ξ˜Šξ˜‰ξ˜ˆ ()ξ˜‡ξ˜ / ξ˜‰ξ˜  ξ˜Žξ˜‰- Β· ξ˜†ξ˜˜ξ˜… -ξ˜„ξ˜ Β· ξ˜–ξ˜žξ˜˜ξ˜ƒξ˜ξ˜†ξ˜†ξ˜”ξ˜‚ξ˜ž@ξ˜›ξ˜žξ˜šξ˜™ξ˜˜ξ˜›ξ˜›.ξ˜‚ξ˜ξ˜™ Β· .ξ˜›ξ˜žξ˜šξ˜™ξ˜˜ξ˜›ξ˜›.ξ˜‚ξ˜ξ˜™
MT 48
ξ˜˜ξ˜šξ˜ƒξ˜”ξ˜ ξ˜”ξ˜›ξ˜ξ˜žξ˜œξ˜†ξ˜˜ξ˜‚ξ˜ž
ξ˜“ξ˜šξ˜—ξ˜•. ξ˜ξ˜‡/ξ˜Žξ˜‡
A brief introduction
MT 48 | 2
Preface: Mission Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Whatβ€˜s in the box? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
System requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Overview .................................................................5
Inputs and Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Analog I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
GPIO/MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Powering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Register your product . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Driver installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Setup .....................................................................8
Connecting your gear. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Adding I/O via ADAT / S/PDIF and AES67 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Configuring the MT 48 to your needs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
USB I/O. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Routing example: Using external outboard as hardware plug-ins in your DAW 13
DAW setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
DAW buer size / latency settings ......................................15
Setting up inputs and outputs in your DAW ..............................17
Working with the MT 48 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Understanding the mixer structure .....................................18
Preamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Dynamics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Reverb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Snapshots. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Monitor controller functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
MT 48 mixer details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Strips setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
MT 48 status bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Remote controlling the MT 48 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Web control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Advanced settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Output levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Speakers A/B latch mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Output routing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Output EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Output dynamics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Configuring the headphone outputs.....................................32
Talkback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Changing the sampling rate/clocking ...................................35
DAC filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Device snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Updating the firmware . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Using the MT 48 with the Neumann MA 1 Automatic Monitor Alignment . . . . .38
FAQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
MT 48 signal flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Contents
MT 48 | 3
Preface: Mission Statement
The MT 48 brings reference-class sound to your desktop. It is the first audio interface to unlock
the full potential of Neumann microphones, studio monitors, and headphones as well as high
class gear from other manufacturers. The MT 48 builds upon the knowledge and experience of
our friends, partners and now colleagues from Merging Technologies, famous among recording
professionals for state-of-the-art AD/DA converters and networked audio solutions. The MT 48
is the perfect marriage of Neumann sound quality and Swiss precision.
Analog-to-digital conversion in the MT 48 sets a new benchmark. With an enormous dynamic
range of 136 dB, the MT 48 has four times the resolution of competing devices. Analog cir-
cuitry is on the highest level, too. The microphone preamps oer up to 78 dB of clean gain for
capturing every detail from any microphone, be it high sensitivity condensers or low output
ribbons. The same philosophy applies to the built-in headphone amplifiers, which are
extremely powerful and ultra-low impedance to drive any headphones to their absolute best.
Just as important as sound quality is monitoring! Not only for the engineer but also for the art-
ist. Musicians play better, singers sing better with inspiring sound in their headphones. That’s
why the MT 48 is also a fully-fledged mixing console with sophisticated EQ and dynamics in
every channel plus a nice sounding reverb processor. Despite this complexity, the MT 48
remains easy to use, thanks to an intuitive touchscreen user interface: Adjust levels and pan-
ning at the touch of a finger. No more shuttling between the audio interface and a controller
app on your computer: All parameters can be set on the device itself.
The MT 48 is thus the ideal companion for self-recording musicians. But it can handle large
setups just as well, as it oers two expansion options, ADAT and AES67. While ADAT has long
been a standard in project studios for adding up to eight I/O channels, AES67 is a modern open
standard for networked audio with enormous capabilities. From the proverbial bedroom studio
though location work and broadcast applications to professional recording, the MT 48 always
oers outstanding performance. Whatever you’re up to, the MT 48 is ready for it.

Product specificaties

Merk: Neumann
Categorie: Niet gecategoriseerd
Model: MT 48

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