Joranalogue Generate 3 Handleiding

Joranalogue Niet gecategoriseerd Generate 3

Lees hieronder de 📖 handleiding in het Nederlandse voor Joranalogue Generate 3 (8 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 31 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

Pagina 1/8

GENERATE 3

THROUGH-

ZERO MULTIPHONIC SIGNAL GENERATOR

INTRODUC TIO N

Any signal can be expressed in terms of a few

parameters: frequency, phase, amplitude and

timbre. It is through modulation of these aspects

that synthesists create electronic sound. With

Generate 3, it is now possible to create a signal

and control all its -parameters by through zero

modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise

triangle-core voltage controlled oscillator (VCO)

at the module’s -heart. Through zero linear

frequency modulation (FM) enables rich yet

pitch-stable FM sounds, by allowing the oscillator

to run backwards into ‘negative frequencies’.

The resultant wave triangle is then processed by

the through -zero phase modulator, providing a

total phase shift range of 900°. Phase modulation

offers an interesting alternative for FM, as it

enables - deep FM type tones without actually

changing the oscillation frequency.

The timbre of a signal is determined by its

harmonic content. This full set of harmonics can

be grouped into three main parts: the

fundamental, even and odd harmonics.

Generate 3’s harmonics generator separates out

these three timbral ‘channels’. By adjusting their

relative amplitudes, a vast array of different

waveforms can be created, including but not

limited to the classic sine, saw and square waves.

While the amplitude adjusts can be ed manually,

each timbral channel -supports through zero

amplitude modulation, also known as balanced

or ring modulation. When -audio frequency

modulation signals are applied, the harmonics

become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis

techniques, th set of modulation e extensive

options makes Generate 3 especially suited for

exploring multiphonic synthesis: a monophonic

source creating a complex timbre, much like

throat singing, yet by electronic means.

CONTENTS

In the Generate 3 box, you’ll find:

 Product card, stating serial number and

production batch.

 16- -10-to pin Eurorack power cable.

 Mounting hardware: two black M3 x 6 mm

hex screws, two black nylon washers and a

hex key.

 The Generate 3 module itself, in a protective

cotton bag.

If any of these items are missing, please contact

your dealer or support@joranalogue.com.

GENERATE 3

THROUGH-

ZERO MULTIPHONIC SIGNAL GENERATOR

CONTROLS & CONNECTIONS

1 R SWITCH FREQUENCY ANGE

This switch determines over which frequency

range Generate 3 will operate: low frequency

(VCLFO) or audio frequency (VCO).

2 F F K COARSE AND INE REQUENCY NOBS

The oscillation frequency is determined by these

knobs. In the audio frequency mode, with the

fine knob centred -and at default through zero

FM settings, the coarse knob has a range of 22 Hz

to 22 kHz at the fundamental signal output. The

f 5 6 ine knob’s range is % of the coarse knob (

semitones . in audio mode)

In low frequency mode, the total range is

2.8 6 180 mHz (a period of minutes) to Hz, with

1 Hz when both knobs are centred.

GENERATE 3

THROUGH-

ZERO MULTIPHONIC SIGNAL GENERATOR

3 - I THROUGH ZERO FM NPUT, KNOB AND AC

AND ES BIAS SWITCH

An internal zero FM -through voltage directly

controls the VCO core, determining the overall

range of the exponential frequency modulation.

For example, the low and audio ranges

mentioned earlier assume a through-zero FM

voltage of +5 V.

Increasing or decreasing this voltage has a

corresponding effect on the frequency. But

unlike standard linear FM, the voltage can also be

negative, causing the oscillator to flip direction

and run backwards. This allows for incredibly

deep and dramatic FM sounds.

0 V will cause the VCO to stop. However, since a

+5 V normalisation is present on the through-

zero FM socket, it is not necessary to plug in an

external voltage for the VCO to oscillate. Set the

polariser knob to the maximum setting and both

bias and AC switches off, and the module will run

within the selected range (low/audio). This is

considered the default configuration.

The knob can then be used to apply linear

detuning, through the zero point and into the

negative realm, or adjust the modulation depth

if an external through- zero FM signal is applied.

The bias switch, when enabled, then adds a +5 V

offset to this modulation. This makes it easy to

toggle between through-zero FM (bias off, up)

and normal linear FM (bias on ). In the , down

default configuration with no modulation, the

effect of enabling the bias is a doubling in

frequency, or an increase in pitch of one octave.

Enable the AC switch to AC-couple the LFM

input. This rejects any DC offset or very low

frequency content that may be present in the

modulation signal, preventing a fundamental

pitch shift from appearing during audio rate

modulation. Note that this will also remove the

normalised +5 V that is present on the through-

zero FM socket by default.

4 V P O I OLT ER CTAVE FM NPUT

This input is used to modulate the frequency in

an exponential fashion, with a standard 1 volt per

octave response, to create accurate pitches. In

the low range, the sensitivity is increased to

approximately 0.66 volt per octave.

5 I K EXPONENTIAL FM NPUT AND NOB

This second exponential FM input includes a

polariser knob to set the modulation depth, with

0 in the centre, +1 volt per octave maximum and

−1 volt per octave minimum in audio mode. In

low mode, the sensitivity is increased to

approximately 0.66 volt per octave.

6 F I RESET AND LIP NPUTS

In addition to the through-zero and exponential

FM, two types of oscillator synchronisation are

available: reset (hard sync) and flip (soft sync).

A rising edge on the reset input causes the VCO

output voltage to instantaneously go to 0 V.

Oscillation will then resume as before. On the

other hand, the flip input merely flips the triangle

direction (rising or falling) on a rising edge.

Both sync types have a very different effect to the

VCO and thus yield different sonic results. Reset

sync is considered ‘harder’ since the fast edges

caused by the instantaneous resets create high

harmonic content. Flip sync is free from these

fast edges, and has a ‘softer’ sound as a result.

The two sync types can be combined at will and

affect all outputs.

Product specificaties

Merk:	Joranalogue
Categorie:	Niet gecategoriseerd
Model:	Generate 3

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