Electro Harmonix Bass9 Handleiding

Electro Harmonix Niet gecategoriseerd Bass9

Lees hieronder de 📖 handleiding in het Nederlandse voor Electro Harmonix Bass9 (6 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 12 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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BASS9

Bass Machine

Congratulations on purchasing the Electro-Harmonix BASS9 Bass Machine.

Sporting a new algorithm maximized for transposing one to two octaves down

with superior dynamics and tracking, the BASS9 does for bass instruments what

the B9 does for organs, the KEY9 does for electric pianos and the SYNTH9 does

for analog synthesizers: now anyone with an electric guitar can make great

sounding bass! No special pickups are needed, just your favorite guitar, a BASS9

and maybe a bass amp.

WARNING: Your BASS9 comes equipped with an Electro-Harmonix 9.6DC-200BI power

supply (same as used by Boss® & Ibanez®: 9.6 Volts DC 200mA). The BASS9 requires

100mA at 9VDC with a center negative plug. Using the wrong adapter or a plug with the

wrong polarity may damage your BASS9 and void the warranty.

GETTING STARTED

For best results with the BASS9 and true bass realism a guitar amp will work — —

fine at lower volumes but if you want to get real loud for example when playing —

a gig we recommend plugging into a bass amp and, for that fingered bass sound, —

play your guitar with fingers rather than a pick.

Connect the supplied power adapter to the 9V power jack. Plug your instrument

into the INPUT jack. Connect your amp to the EFFECT OUTPUT jack. Set the DR Y

knob to minimum (fully counterclockwise) and set the other top row knobs to 12

o’clock. Select a preset (“ ” is a good starting point) and step on the PRECISION

footswitch to turn on the LED. Play your instrument and adjust controls to your

liking. For further inspiration, check out the BASS SUGGESTED FACTORY 9’s

SETTINGS insert. Make copies of the included BASS9 USER SETTINGS page to

keep track of your favorite sounds and settings.

CONTROLS AND I/O JACKS

DRY VOL KNOB

The DRY VOL knob controls the volume of the untreated instrument signal present

at the OUTPUT jack. The DRY knob control the volume of the EFFECT does not

DRY OUTPUT jack.

EFFECT VOL KNOB

The EFFECT VOL knob controls the overall volume of the selected patch at the

EFFECT OUTPUT jack.

CTR & CTRL 2 KNOBS L 1

See the preset descriptions on the following pages for details.

MODE KNOB

Turn the white knob to select a bass patch.

INPUT JACK

Plug your instrument or the output of another effects pedal into this ¼” jack. See

Tip 1 & 3 on the following page for more on connecting your BASS s 9.

DRY OUTPUT JACK

The DRY OUTPUT jack outputs the signal present at the INPUT jack through a

buffer circuit. In either EFFECT or BYPASS mode, the dry signal is always present

at the DRY OUTPUT jack.

EFFECT TPUT JACK OU

The OUTPUT jack outputs the mix set by the DRY and EFFECT volume EFFECT

controls. In BYPASS mode, EFFECT OUTPUT outputs the buffered bypass signal.

BYPASS FOOTSWITCH & STATUS LED

Press the BYPASS footswitch to toggle the EFFECT OUTPUT jack between buffered

BYPASS and E mode. The status LED lights when you are in EFFECT mode. FFECT

PRESET DESCRIPTIONS

1. PRECISION –An emulation of the popular bass guitar standard. CTRL 1

controls the sub-octave, mixing between 1 octave down (counter-clockwise

position) and 2 octaves down (clockwise position) CTRL 2 adjusts your tone .

which is tone control modeled after the original instrument’s .

2. LONGHORN –Inspired by the Danelectro® 6-string basses from the ‘50s,

this patch is great for copping baritone style tones. CTRL 1 adjusts the pitch

in half steps from -1 octave (CCW) to unity (CW). CTRL 2 controls a vintage

tremolo effect which increases in depth and rate as the knob is turned up.

Unique ring modulation effects are generated when the knob is turned past 2

o’clock. Also use the Longhorn preset to detune your guitar for metal!

3. FRETLESS –Emulation of both electric and upright fretless bass . CTRL 1 es

controls the buzzy growl sound of a fretless instrument. CTRL 2 adds a classic

Jaco-style chorus effect which intensifies as the knob is turned up Pro Tip: .

light palm mutes with your right hand produce a more realistic right sound. up

4. SYNTH –A big sounding bass synthesizer modeled after the classic Taurus

synthesizer. Use CTRL 1 to adjust the note range in four sections of synth’s —

the knob split between octaves and fifths. CTRL 2 — adjusts the synthesizer’s

envelope filter range. Higher settings of CTRL2 makes for a brighter and wider

filter sweeps.

5. VIRTUAL – A unique patch that allows you to adjust your bass’s body density

and neck length. CTRL 1 adjusts body density; higher settings produce longer,

piano-like sustain. CTRL 2 adjusts neck length, where the length increases as

the knob is turned clockwise .

6. BOWED – A classic bowed bass sound with adjustable attack. CTRL 1 controls

sub-octave mixing between 1 octave down (CCW) and 2 octaves down (CW).

CTRL 2 adjusts the bow’s attack speed, as you turn up the knob, the attack

speed slows The attack effect is fully polyphonic . .

7. SPLIT BASS –This patch provides a sub-octave effect on all notes below

F#3 the F# found at the fourth fret of the D-sting on a standard guitar. It —

does not pitch shift notes above G3. This allows a guitar player to play bass

lines with the lower two strings of a guitar and chords or melody with the

highest three strings. CTRL 1 adjusts bass t e by adding upper harmonics on

as the knob is turned clockwise CTRL 2 provides an envelope filter/auto-wah .

effect on all notes you play. As you turn CTRL2 up, the wah effect intensifies.

Pro Tip: turn up the DRY knob to hear your guitar signal.

8. 3:03 –A polyphonic emulation of one of the most sought-after vintage bass

synthesizers. CTRL 1 adjusts the envelope sweep depth or total range filter’s

while CTRL 2 sets the envelope speed. Pro Tip: use the guitar’s volume knob

as a sensitivity control for envelope triggering.

9. FLIP-FLOP – Inspired by the Electro-Harmonix Octave Multiplexer, this patch

provides a ‘70s style logic driven sub-octave generator, except the BASS9

tracks without glitches! CTRL 1 handles sub-octave, mixing between 1 octave

down (CCW) and 2 octaves down (CW). CTRL 2 adjusts the frequency of a

synth-like low-pass filter.

NOTES AND SPECIFICATIONS

 Buffered bypass

  Input impedance: 1M

  Output impedance (for both output jacks): 500

 Current draw: 100mA

TIPS ON GETTING OPTIMUM PERFORMANCE FROM THE BASS9

1. The BASS9 is generally best used as the first pedal in an effects chain. Place

distortion, modulation, delay, and reverb effects after the BASS9. The unit

will not perform well if placed in the effects loop of a guitar amp.

2. Much of the BASS9’s tone is dependent on your guitar’s original tone. Try

experimenting with different pickup positions and tone settings to add more

versatility to your bass sounds. Different picking styles such as finger and

thumb picking, picks, hammer-on, etc. will have a major impact on the bass

tone produced by the BASS9.

3. Avoid placing a distortion or overdrive in front of the BASS9, which could

muddy up the input signal and cause the tracking to be unstable. If you

want to add overdrive or distortion, place it after the BASS9.

All third party trademarks referenced by EHX remain the property of their respective

owners. Any references to such trademarks herein is simply to identify the corresponding

third party goods and is nominative fair use under the trademark law.

Product specificaties

Merk:	Electro Harmonix
Categorie:	Niet gecategoriseerd
Model:	Bass9

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