Allen-Heath Qu-6 Handleiding


Bekijk gratis de handleiding van Allen-Heath Qu-6 (9 pagina’s), behorend tot de categorie Mengpaneel. Deze gids werd als nuttig beoordeeld door 3 mensen en kreeg gemiddeld 4.1 sterren uit 2 reviews. Heb je een vraag over Allen-Heath Qu-6 of wil je andere gebruikers van dit product iets vragen? Stel een vraag

Pagina 1/9
Qu-6 / Qu-6D Technical Datasheet
1
Qu-6 -6D / Qu
Technical Datasheet
(Qu-6D Top Panel)
(Qu-6D Rear Panel)
Qu-6 / Qu-6D Technical Datasheet
2
Features
96kHz XCVI Core
variable bit-depth up to 96bit <0.7ms latency ,
38x Inputs to Mix (32x Mono/Linkable, 3x Stereo)
Stereo Main LR Output
12x Mixes (6x Mono/Linkable Aux/Group, 6x Stereo
Aux/Group)
4x FX Sends
4x Mono/Linkable Matrix Mixes
24x XLR/Jack ‘Combi’ Mic/Line Input Sockets
2x Stereo Line Input Sockets (each 2x TRS)
1x XLR Talkback Socket
16x XLR Output Sockets
2x TRS Output Sockets
1x AES3 Stereo Digital Output Socket
128x128 SLink Port for Everything I/O expansion and
system connections
16x16 48/96 kHz Dante interface (Qu-6D only)
Stereo Headphone Output
7” Capacitive Touchscreen
25x 100mm Motorised Faders
4x Customisable Channel Strip Layers
8x SoftKeys
12V Lamp Socket
Configurable single/dual Footswitch Connection
Configurable Chromatic Channel Meter LED’s
IEC Mains Connection with Worldwide PSU
RJ45 Network Socket
USB-A For stereo audio record/playback and data
(2 Channels @48/96kHz, 24bit)
USB-C Audio interface for multichannel record/playback
(32x32 @48/96kHz, 16/24bit)
SD Card Slot for multichannel audio record/playback
(16 Channels @96kHz, 32 Channels @48kHz, 24bit)
Input processing Trim, HPF, Gate, Parametric EQ,
Compressor, Channel Delay
Mix processing Graphic EQ, Feedback Assistant, PEQ,
Compressor, Channel Delay
Fully patchable Insert points
6x Multi-FX Engines with dedicated Stereo Return
Channels and PEQ
32 Channel, zero latency, DEEP Automatic Mic Mixer
31/61 Band Real Time Analyser
Feedback Assistant with 8 simultaneous detectors
Gain Assistant
300 Scene memories per Show
Channel Safes, Global/Per-Scene Recall Filters
FX, Processing and Channel Libraries
User Permissions to restrict operator access
DAW Control emulation via USB or TCP/IP
Compatible with ME personal monitoring range
Remote control via free apps
Windows/MacOS/iOS/Android
Qu-6 / Qu-6D Technical Datasheet
3
Architectural & Engineering Specification
The mixer shall be a standalone digital mixer built around a
96kHz XCVI FPGA core with 38 input sources mixing to 28
busses, with a system latency of <0.7ms.
All input and output processing, routing options and system
configuration shall be accessed and adjusted via a 7-inch
capacitive touchscreen and associated dedicated rotary
control.
The surface shall include moving faders with 4 layers, each
having dedicated keys, giving easy access to input
channels, mixes, FX sends, FX returns, DCA masters and
MIDI control.
Each fader strip shall have dedicated Select, Mute and
PAFL buttons with indicators, a variable LED meter, a peak
indicator LED and a backlit LCD display.
There shall be dedicated physical controls which allow for
adjustment of key processing parameters, and which follow
the select button for the input and output channels.
Send levels to mixes shall be displayed and adjusted using
the faders in conjunction with dedicated Mix keys.
A ‘CH to All Mix’ key will be provided to allow viewing and
adjustment of all send levels from the selected channel.
Quick access to assignment and switching of Pre/Post
send points will be provided using dedicated keys.
The fader and rotary controls shall include a white skirt in
contrast to the colour of the surface visibility during for
operation in low light conditions.
8 user-assignable SoftKeys with multi-colour LED
illumination shall be provided for quick access to
Input/Mix/DCA/Group Mutes, Tap Tempo, Scene Controls,
MMC and Qu-Drive Controls.
There shall be dedicated Copy/Paste/Reset keys for
parameter data.
A footswitch connection shall be provided to allow
assignable control from an optional single or dual
footswitch.
A view key shall allow the temporary display of channel
number and patching on the channel strip LCD displays, as
well as current SoftKey assignments on the touchscreen.
Local analogue inputs shall use balanced XLR/TRS combi’
sockets and connect to fully recallable, digitally controlled
preamplifiers. These shall be able to provide up to +60dB
of gain, with -20dB Pad included on the TRS ¼ inch Jack a
input for use with line level signals. Industry standard 48V
phantom power shall be switchable per socket and apply
only to the XLR connection.
The number of local preamps will match the number of
faders, to allow simple, standalone, analogue-like 1- -a to 1
setup.
An extra, patchable, XLR-only socket with preamp
specification matching that of the other XLR inputs shall be
provided for Talkback.
Two stereo input connections feeding dedicated channels
for playback purposes will each 2 balanced TRS ¼ inch use
Jack sockets, in a half-normal configuration for use with led
mono sources.
Local analogue outputs shall be provided on XLR sockets
and 2 balanced TRS ¼ inch Jack sockets. These will have a
nominal line output of +4dBu.
A stereo digital, professional AES3 output shall be provided
via an industry standard 110ohm XLR connection with
options for sample rate conversion.
A high-power headphone output shall be provided for
monitoring using a TRS ¼ inch Jack socket, with associated
level control and dual 12 segment LED meter.
There shall be a USB Type-A connector for stereo
recording/playback, data-transfer and firmware updating.
An SDHC slot shall be provided for the recording or
playback of multichannel audio, using a standard format to
allow files to be imported into any DAW.
There shall be a USB-C connection following the USB 2.0
standard for multi-channel, bi-directional audio streaming
and MIDI control between the mixer and a computer.
There shall be an intelligent “SLink” Ethernet audio
expansion port with locking EtherCON connector,
supporting multiple A&H digital protocols and providing
access x digital channels, connected over a to 128 128
single cable and allowing remote preamp control of Allen &
Heath Everything I/O expanders, connection to Allen &
Heath ME Personal Mixing Systems and direct connection
to other A&H mixers where supported. ver
A Dante variant will provide up to 16x16 channels of
connectivity to a Dante network at 48/96kHz. This model
will include a dedicated additional locking EtherCON
connection and a bridge to the network port for control
messaging .
All Input channels shall contain the following processing:
Polarity, Trim, High Pass Filter, Gate, Insert, Parametric EQ,
Compressor, Delay, Pan/Balance.
All FX Return channels shall contain the following:
Parametric EQ, Pan/Balance.
All Mix channels shall contain the following processing:
Insert, Graphic EQ or Feedback Assistant Parametric EQ, ,
Compressor, Delay, Balance.
6 user-assignable effect racks shall be provided with a
library of factory preset FX emulations. The FX racks shall
be individually configurable as send/return with a
dedicated stereo return channel and sourced from a
dedicated FX send bus, a Mix bus or directly from an Input
channel, or a unit may be inserted directly into any input or
output channel.
A Feedback Assistant will be provided to detect feedback
across up to 8 outputs simultaneously and automatically
apply up to 16 filters per instance.
The ability to automatically set and monitor preamp gain
settings will be provided by a Gain Assistant.


Product specificaties

Merk: Allen-Heath
Categorie: Mengpaneel
Model: Qu-6

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