Rane MLM 42 Handleiding
Rane
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MLM 42
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MLM 42
MIC / LINE MIXER
OPERATORS MANUAL
QUICK START
Sure this seems like a simple enough box. 4 Inputs, 2 Outputs and an Effects Loop. Fine. But at least read this section to get the
best signal out of your unit and avoid potential problems. We'll be quick, promise!
Each Input section features microphone-level and line-level ¼" Inputs. . Both Inputs XLR TRS Use only one Input for each channel
are balanced.
If you are using condenser mics, flip the switches to the position. For dynamic mics and line-level PHANTOM POWER ON
devices, leave these switches OFF. Phantom Power only affects the XLR Inputs, not the ¼" TRS Inputs.
If an indicator lights, this is your clue to turn down its trim on the rear of the unit.Input Overload GAIN
e indicator shows the sum of the 4 Input channels, but is located before the control. Output Overload OUTPUT LEVEL
erefore, the control correct an condition. Instead, turn down the of one or OUTPUT LEVEL cannot Output Overload LEVEL
more of the Input channels. e indicator should remain off.Output Overload
e changes the balanced XLR and TRS Outputs to either LINE-level or MIC-level. Be aware of OUTPUT MIC/LINE switch
what sort of signal your mixer or amplifier wants to see before you scare yourself.
Never connect anything except a Rane power supply to the thing that looks like a telephone jack on the rear of the unit. is
is an AC input and requires special attention if you do not have a power supply like the one originally packed with your unit. exactly
See the full explanation of the power supply requirements elsewhere in this manual.
WEAR PARTS: is product contains no wear parts.
OFF
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OFF
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OFF
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OFF
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OFF
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MIC/LINE MIXER
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LO HIMID
OUTPUTEFFECTS
LEVELLEVELOL
WETDRY
POWER
OL
1
LO HIMID LEVELOL
2
LO HIMID LEVELOL
3
LO HIMID LEVELOL
4
MLM 42
Manual-2
FRONT PANEL DESCRIPTION
1 LO / MID / HI tone controls on each input channel are Accelerated-Slope™, delivering more control, constant phase response,
and less interaction between bands than normal tone controls. e LO/MID corner frequency is 300 Hz. e MID/HI corner
frequency is 4 kHz. Each band allows 6 dB of boost and .full cut
2 Input Overload indicators should remain off during the loudest expected program material. If you see one light up, turn down
the rear panel Input GAIN.
3 Input LEVEL controls set the volume for each channel. ese work along with the rear panel GAIN controls for maximum
signal. To achieve the smoothest mix possible, set the GAIN control on the rear panel to allow near full range operation of the mix
Level control without lighting up the Input Overload indicator.
4 EFFECTS DRY/WET control adjusts the mix between the sum of the four Inputs (DRY) and the Effects Return jack (WET).
When used with an external effects processor, the DRY/WET pan control adjusts how much processed, versus unprocessed, signal
appears in the final output mix. See the EFFECTS LOOP section on page Manual-4 for more uses.
5 Overload indicator is located before the Output Level control. erefore, the Output Level control be used to correct an cannot
Output Overload condition. An Output Overload condition is corrected by turning down one or more of the Input LEVELs. is
indicator should remain off.
6 OUTPUT LEVEL control determines the level going to all four Outputs.
7 POWER indicator. When the yellow LED is lit, the MLM 42 is ready to go.
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MIC/LINE MIXER
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OUTPUTEFFECTS
LEVEL
WETDRY
POWEROLLO HIMID LEVELOL
3
LO HIMID LEVELOL
4
MLM 42
Manual-3
REAR PANEL DESCRIPTION
IMPORTANT NOTE
CHASSIS GROUNDING
Units with outboard power supplies do not ground the chassis through the line cord. Make sure that these units are grounded
either to another chassis which is earth grounded, or directly to the grounding screw on an AC outlet cover by means of a wire con-
nected to the chassis grounding screw.
1 INPUTS 1 through 4 feature MIC-level XLR and LINE-level ¼" TRS connectors. . Use only one of these Inputs for each channel
Both Inputs are balanced. A mono ¼" TS plug may be inserted into the LINE input if necessary, but better results come from a
balanced TRS plug. See the RaneNote, “Sound System Interconnection” included with this manual.
2 PHANTOM POWER switch provides 15 volts to condenser microphones plugged in the MIC Input.
3 GAIN trim control sets the inital gain of the Input so the front panel LEVEL control has the most latitude without distortion.
When the XLR MIC Input is used, the range of the GAIN is 12 to 50 dB and Phantom Power may be selected. When the TRS
LINE Input is used, the range of the GAIN is 0 to 12 dB and Phantom Power is disabled.
4 Remote POWER supply input and chassis ground screw. e unit is supplied from the factory with an RS 1 remote power
supply suitable for connection to this input jack. e power requirements call for an 18 volt AC center-tapped transformer only.
is is not a telephone jack. Never use a power supply with your unit other than the one supplied or a replacement approved by Rane
Corporation. Using any other type of supply may damage the unit and void the warranty. e #6-32 screw above can be used for
chassis grounding. See the CHASSIS GROUNDING note below.
5 ¼" TRS and XLR Balanced OUTPUT jacks are provided for convenience. Both connectors may be used simulaneously.
6 OUTPUT LINE / MIC switch changes both balanced XLR and ¼" TRS Outputs to either LINE-level or MIC-level. Many
DJ mixers have microphone engage and talk-over functions associated with the microphone inputs. By connecting the MLM 42
directly to one of these microphone inputs, you are able to take advantage of these features.
7 A & B Unbalanced RCA Outputs provide connection to line-level inputs. e Outputs of A and B are identical.
8 EFFECTS SEND & RETURN loop connects external effects processors or expands to other mixers. See page Manual-4.
MLM 42
4
EFFECTS
OUTPUT
POWER
PHANTOM
GAINSENDRETURN
CLASS 2 EQUIPMENT
B
UNBALANCEDBALANCED
MIC
UNBALANCEDLINE MIC
LINE
OR
RANE CORP.
ACN 001 345 482
A
ON
750mA
POWER
B
A
L
A
N
C
E
D
LINE
3
4 5 6
8
7 1 2 3
Product specificaties
| Merk: | Rane |
| Categorie: | Niet gecategoriseerd |
| Model: | MLM 42 |
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