DOD Looking Glass Handleiding
DOD
Niet gecategoriseerd
Looking Glass
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The Looking Glass Overdrive is collaboration between DOD and the boutique pedal
company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique
circuits, colorful perspective on classic eects, and minimalist design aesthetic. The
collaboration between DOD and SHOE retains all of Christopher’s strengths and
adds in some mainstream tonal appeal with an aordable price point. I was rst
introduced to Christopher when he participated in an online forum collaboration
for an octave fuzz in 2012. I was very impressed with the build-quality, voicing, and
feature set of that fuzz (and several more after) and I knew that Christopher had a
good ear and strong attention to detail. This attention to detail has culminated in
the meticulously designed Looking Glass Overdrive, to create a sweet and musical
drive with a character that works well for any task – Lead, rhythm, low-gain, high-
gain or even as a tone-shaping boost.
A note from the designer:
“Years ago, when I was living in Brooklyn, I went on a quest to nd the overdrive
that worked for me. Most of these were slight variations on a few classic op-amp
designs that just didn’t do it for me. I tried a ridiculous number of pedals and found
that I wasn’t fully happy with any of them. So, having originally resolved only to
make weird experimental fuzz pedals, I decided to break that rule and create a
really nice overdrive that I actually wanted to play. After starting with a theory
and rening it through extensive play-testing, I concocted the Savior Machine and
named it after one of my favorite David Bowie songs.
When DOD approached me to collaborate on a new pedal, I was given free reign
to make whatever I wanted (within reason). So, I rst went back to my roots and
designed a wild high gain fuzz. This sounded great, but I thought to myself that it
would really be only useful for some people. I wanted to make something for ALL
people. So, I decided to revisit my basic overdrive concept and re-design it with a
completely dierent approach. The result is the Looking Glass. A super-responsive
class-A FET design that, I hope will give a whole lot of players the satisfaction of
feeling like their overdrive rewards their own unique playing style. It’s great for
blues, sure, but it’s also great for hard rock, indie, experimental music, psychedelic
music, shoegaze, alternative, punk, bass, etc. etc. etc. The Looking Glass is like a
funhouse mirror that lets you twist and tweak your sound in every which way while
still sounding like the ideal you.”
-C.J.M. Venter
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1. LEVEL - Sets the output level of the eect. It is recommended that you turn this down
when switching to high gain mode to avoid any large jumps in volume.
2. GAIN - Controls how easily the pedal is pushed into overdrive. Because the Looking
Glass rewards dynamic playing, most settings can produce a clean sound when
picking lightly. The maximum level of overdrive increases as this knob is
turned up.
3. BASS CUT/TREBLE - The BASS CUT knob adjusts the amount of low end content in the
incoming signal (before the overdrive). It is recommended that you start by
setting this control at noon and adjusting upwards or downwards to thicken or
clear up the overdrive to taste. Hint: Set at maximum, this control produces a
very raw sound.
The TREBLE knob adjusts the brightness of the pedal’s overdriven sound. Hint:
You may want to move this control to roughly line up with the Bass Cut control
for a balanced sound The concentric control design makes this easy to do on
the y. Or, for less neutral sounds, set the two indicators dierently from one
another to create the drive sound that works best for you.
Product specificaties
| Merk: | DOD |
| Categorie: | Niet gecategoriseerd |
| Model: | Looking Glass |
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