Audio-Technica AT2010 Handleiding

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20 series studio/live sound microphones

AT2010

Cardioid Condenser Handheld Microphone

Features

• Studio-quality sound on stage for crystal-clear vocal performance

• Same 16 mm low-mass diaphragm found in the critically

acclaimed AT2020 side-address studio microphone

• Extended frequency response and superior transient response for

smooth, natural sonic characteristics

• High SPL-handling and wide dynamic range provide unmatched

versatility

• Cardioid polar pattern reduces pickup of sounds from the sides

and rear, improving isolation of desired sound source

• Multi-stage grille design offers excellent protection against

plosives and sibilance without compromising high-frequency

clarity

• Rugged all-metal design and construction for years of trouble-

free use

• Corrosion-resistant contacts from gold-plated XLRM-type

connector

• Quiet-Flex™ stand clamp provides silent, exible microphone

positioning

Description

The AT2010 is a handheld condenser microphone with a cardioid polar

pattern. It is designed specically for close-up vocal use in professional

live-sound and studio applications.

The microphone requires 48V phantom power for operation.

The cardioid polar pattern of the microphone is more sensitive to sound

originating directly in front of the element, making it useful for controlling

feedback, reducing pickup of unwanted sounds and providing isolation

between performers.

The output of the microphone is a 3-pin XLRM-type connector.

The microphone is enclosed in a rugged housing. Its multi-stage grille

design offers excellent protection against plosives and sibilance without

compromising high-frequency clarity. The included AT8470 Quiet-Flex

™

stand clamp permits mounting on any microphone stand with 5/8"-27

threads. A soft protective pouch is also included.

Operation and Maintenance

The AT2010 requires 48V phantom power for operation.

Output is low impedance (Lo-Z) balanced. The signal appears across Pins

2 and 3; Pin 1 is ground (shield). Output phase is “Pin 2 hot”—positive

acoustic pressure produces positive voltage at Pin 2.

To avoid phase cancellation and poor sound, all mic cables must be wired

consistently: Pin 1-to-Pin 1, etc.

When using the microphone in settings with a stage monitor speaker, the

speaker should be located 180° off axis (at rear of the microphone). This

placement, in conjunction with the microphone’s uniform cardioid pickup

pattern, will virtually eliminate the possibility of undesired audio feedback.

Avoid leaving the microphone in the open sun or in areas where

temperatures exceed 110° F (43° C) for long periods of time. Extremely

high humidity should also be avoided.

Product specificaties