WMD Kraken Handleiding

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SHELL: Smoothly interpolate be-

tween 32 different shell models.

Each shell model determines the

harmonics of the sound, with in-

teraction from OVERTONE and

SNARES.

DECAY: Controls the decay param-

ter of the internal envelope. The

envelope will remain open as long

as one of the triggger inputs, HEAD

or RIM, is gate HIGH.

VELOCITY: Add life to your drum

hits with this control. Low veloc-

ity results in softer hits with less

noise and less overtones, while

high velocities punch harder and

ring out longer. Velocity is xed

around 80% max when no cable is

plugged into the CV jack.

SNARES: Control the damping lev-

el of the noisy shell harmonics. In-

creasing this control will decrease

damping, making the drum hit

more noisy and making the noise

tail longer.

KRAKEN

We’re in an octopus’

all hits will be slightly increased in de-

cay, amplitude, and velocity.

WRECK: This switch and cv input

allow you to distort the sound in

various ways. When no cable is

plugged into the WRECK cv jack a

xed amount of distortion will be

applied. The rst, fully left, posi-

tion is volume with hard clipping.

When no cable is plugged into the

WRECK jack, this is effectively a

clean setting. The middle setting

enables a wavefolder, and the far

right setting enables a distortion

based on quantization error.

MODEL: Select from three models.

Repeatable digital noise that pro-

duces the same sound on every

trigger. Analog noise, that gives a

slightly different sound with each

hit. And nally, a pitch shifting

mode controlled by PITCH that al-

lows you to take your sound into

another dimension.

LOW TUNE: Set the fundamental

frequency of the snare drum. Cor-

responding CV is labeled LO TUNE.

PITCH: Apply an offset to some of

the shell’s harmonics allowing for

ner control of the OVERTONE and

SNARES timbre.

OVERTONE: Control the damping

level of the clean shell harmon-

ics. Increasing this control will de-

crease damping, making the drum

hit more resonant as the harmon-

ics ring louder and longer.

HEAD / RIM: The HEAD and RIM inputs

trigger their own respective exciter that

enters the model at different points.

HEAD mimics striking a snare drum in

the center, and RIM mimics striking the

rim for a sidestick sound. Striking them

at the same time enables a third exciter

and produces a rim shot sound.

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