Ultrasound Amplifiers CP100 Handleiding
Ultrasound Amplifiers
Gitaar
CP100
Lees hieronder de đź“– handleiding in het Nederlandse voor Ultrasound Amplifiers CP100 (6 pagina's) in de categorie Gitaar. Deze handleiding was nuttig voor 31 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
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CP-100
OPERATING GUIDE
ULTRASOUND AMPLIFIERS
2150 Delavan Drive, STE # 11
WEST DES MOINES, IA 50265
PHONE: 515-282-1650
FAX: 515-282-1680
www.UltraSoundAmps.com
E-MAIL: Info@UltraSoundAmps.com
CUSTOMER / TECHNICAL SUPPORT:
E-MAIL:
Support@UltraSoundAmps.com
TOLL FREE 1-888-993-5091
CP-100 FRONT PANEL
CHANNEL-1
INPUT-1: This combo input is designed for both MIC level (XLR) (XLR input provides Phantom power**) or Instrument level
(¼”) signals. (The ¼” TRS Tip/Ring/Sleeve input jack is suited for equipment such as high-impedance microphones,
keyboards and drum machines. It accepts both balanced and unbalanced inputs) (Channel-1 is designed as a generic “flat
response” channel which is suitable for any acoustic instrument level or microphone signal)
BASS: Adjusts the amount of cut or boost in the low frequency range.
TREBLE: Adjusts the amount of cut or boost in the high frequency range.
VOLUME: Controls the overall volume level of CHANNEL-1.
Note 1: When CHANNEL-1 is not in use, be sure to turn all controls to the minimum level to avoid any unwanted noise
being passed through the amplifier.
CHANNEL-2
INPUT-2: Combo Input designed for both MIC level (XLR) and Instrument level (¼”) signals. (Channel-2 is designed primarily for
acoustic guitar) Try both channels to find out which channel works best for your application, some players like Channel-1 and
others prefer Channel-2. With the myriad of guitars, pick-up systems, and playing styles out there, one of the channels will sound
great with your gear. (XLR input provides Phantom power**)
VOLUME: Controls the overall volume of CHANNEL-2.
BASS: Adjusts the amount of cut or boost in the low frequency range.
TREBLE: Adjusts the amount of cut or boost in the high frequency range.
Notch Filter HZ: Sets the frequency of the 18db cut NOTCH FILTER that is used to control resonant feedback.
Notch Filter: ON/OFF - Enables or disables the notch filter control.
Shape: ON/OFF This toggle switch enables or disables the SHAPE control. The shape control is a mid dip control. In the on
position the mid frequencies will be cut and the high and low frequencies will be boosted.
** PHANTOM POWER – An internal phantom power source (13.6 volts) is provided for use with condenser mics. This power source is on at all times and does not affect the standard
operation of the amp, even when a condenser mic is not used. We use the DIN 45-596-P12 volt standard which will operate virtually all of the live sound reinforcement condenser
microphones on the market. Some “boutique” externally biased condenser mics will not be compatible and will require 48 volt phantom power. We suggest live sound condenser mics by:
AKG (C4500B,4000B, etc.), Audio Technica (AT3035, 3032, Pro Series, etc.), CAD, Shure and Crown.
MASTER SECTION
Effects Assign: This 3 way toggle switch allows the digital effects to be routed to CH-1 CH-2, , or if in the middle position will
supply effect for both channels.
Effects LEVEL: Controls the amount of digital effect mixed in to the guitar signal from 0% to 50%.
Effects MODE: This is a rotary encoder, which selects 1 of 16 different digital effects. See Digital Effects Program List.
MASTER VOLUME: Adjusts the overall loudness of the amplifier.
Pilot Light/Limit Indicator : When GREEN, this LED indicates that the power is turned on. If the power amplifier reaches full
power output, the on board Limiter will be enabled and this LED will turn RED. The Limiter allows the amplifier to be played at full
power without unwanted distortion.
CP-100 BACK PANEL
AC INPUT: Connect the female end of the AC line cord here. Connect the male plug to a suitable source of line voltage. Refer to
the voltage information on the back of the amplifier for its voltage and current requirements. This connector also acts as the main
fuse holder and includes a compartment for a spare fuse.
POWER: This rocker switch turns the AC power ON and OFF.
EFX F.S. (FOOTSWITCH): This jack is for connection to a shorting footswitch. When the switch is closed, the on board digital
EFX will be bypassed.
EFX SEND: This jack provides an unbalanced output signal from the preamp for supplying signals to external low-level effects or
signal processing equipment. This signal is “pre” tone controls. (The tone controls will not affect the EFX SEND signal)
EFX RETURN: Input for returning signals from external low-level effects or signal processing equipment.
LINE OUT: This jack provides an unbalanced output from the preamp that is post eq and post efx. This signal is pre MASTER
VOLUME which means that this signal level will not change with the MASTER VOLUME setting. This send can be used to feed a
signal to a recording or sound reinforcement mixer. Additionally this output can be used to drive a slave amp or powered extension
speaker.
DIRECT OUT: Balanced output signal used to feed recording or sound reinforcement equipment. Just like the LINE OUT signal,
the DIRECT OUT signal is post eq and post efx and pre MASTER VOLUME.
TAPE/CD: Unbalanced phono (RCA) input jacks. This is an auxiliary input designed for use with a drum machine, tape player,
CD player, etc. and can be used for playing prerecorded music.
TAPE/CD LEVEL: This “inset” control adjusts the volume level of the TAPE/CD input. This control can be adjusted with a small
screwdriver. This signal is pre MASTER control which means that the MASTER volume setting will affect the loudness of the
TAPE/CD input signal.
Product specificaties
| Merk: | Ultrasound Amplifiers |
| Categorie: | Gitaar |
| Model: | CP100 |
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