TC Electronic Tube-Tech CL 1B TDM Handleiding

TC Electronic Niet gecategoriseerd Tube-Tech CL 1B TDM

Lees hieronder de đź“– handleiding in het Nederlandse voor TC Electronic Tube-Tech CL 1B TDM (6 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 32 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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TC ELECTRONIC A/S
Customer Support
Sindalsvej 34
Risskov DK-8240
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www.tcelectronic.com
© BY TC ELECTRONIC A/S 2008. ALL PRODUCT AND COMPANY NAMES ARE
TRADEMARKS OF THEIR RESPECTIVE OWNERS. VST IS A TRADEMARK OF STEIN-
BERG AG, AUDIO UNITS IS A TRADEMARK OF APPLE COMPUTER, INC. ALL SPEC-
IFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE.ALL RIGHTS RESERVED.
TC Electronic is a TC Group company.
THIS SOFTWARE CONTAINS SIMULATION TECHNOLOGY DEVELOPED BY AND PROPRIETARY TO SOFTUBE
AB OF SWEDEN AND IS PROTECTED BY PATENT SE25332 AND PENDING PATENTS US2004-0258250,
EP1492081, JP2004-183976
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Tube-Tech CL 1B
USA:
TC Electronic, Inc.
5706 Corsa Avenue, Suite 107
Westlake Village, CA 91362
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Tube-Tech CL 1B
Foreword - by Frank Filipetti
As an engineer/producer I am constantly amazed by the sheer number of new (and
vintage) equipment available to us. And yet, more often than not, I find myself
returning to those few trusted pieces of gear that in a certain sense define our
individual sound. One of those pieces that I would never want to be without is my
Tube-Tech CL 1B. Sometime in the mid 80’s, I was contacted by John Petersen and
offered a chance to play with a prototype of their first compressor – the CL 1A. I
remember at the time being very impressed, but I had a few reservations and
suggestions about the product. While not suggesting my recommendations led to the
final CL 1B, I was very impressed to find that, not only was every one of my thoughts
addressed, but a great deal more as well.
Since the introduction of the CL 1B it has been an essential element in my
recordings. While exhibiting the characteristic warmth of tube equipment, it is by no
means soft or slow. The fixed and variable attack and release knobs as well as variable
threshold and ratio give me all the flexibility left wanting in vintage
compressor/limiters. With quick attack and release at a ratio of 1.5:1 or 2:1 it is my
number one choice for vocal recording. With longer attack and release times at higher
ratios I use it for everything from bass drum to acoustic guitar to piano to bass. In
fact, about the only thing I don’t use it for is mix buss compression as that is handled
by my indispensable Tube-Tech SMC 2B.
Frank Filipetti.
Biography:
Frank Filipetti came to NY as a singer songwriter in 1971. Ten years, two publishing,
and three record deals later, he decided to try his hand at engineering and production.
He had his first number one single in 1983 with Foreigner’s “I Want To Know What
Love Is”. Since then he has worked on projects with artists as varied as James Taylor,
Kiss, Luciano Pavarotti, Courtney Love, Barbra Streisand, Dave Grusin, Korn, Carly
Simon, Elton John, Mariah Carey, Rod Stewart, and Paul McCartney; on film
soundtracks for directors Mike Nichols and Nora Ephron. In 1998 he won two
personal Grammy’s for his engineering and production work on James Taylor’s
“Hourglass”, and in 2000, 2004, and 2005 he won Grammy’s for his engineering and
production work on the Original Cast albums of “Aida”, “Wicked” and “Spamalot”.
Recently he has been at the forefront in 5.1 surround mixing. The N2K album “Dave
Grusin – West Side Story”, which he recorded and mixed with producer Phil Ramone
in 1997, was one of the first commercially available 5.1 recordings. Since then he
has done numerous 5.1 mixes for artists such as James Taylor, Meatloaf, Billy Joel,
Five For Fighting, Elton John, Polyphonic Spree, Paul Simon and Frank Zappa.

Product specificaties

Merk: TC Electronic
Categorie: Niet gecategoriseerd
Model: Tube-Tech CL 1B TDM

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