Soundcraft Spirit LX7 Handleiding

Soundcraft Niet gecategoriseerd Spirit LX7

Lees hieronder de 📖 handleiding in het Nederlandse voor Soundcraft Spirit LX7 (24 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 139 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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LIVE

RANGE

BROCHURE

LIVE MIXING CONSOLES

8-Bus Professional

Mixing Console

SPIRIT 8

12-Bus Stage Monitor/

FOH/Theatre Mixer

MONITOR 2

4-Bus Professional

Mixing Console

LIVE 42

Compact Mixing

Consoles with integral

rack mounting

SPIRIT M

SERIES

7-Bus Professional

Mixing Console

LX7

BEYOND LIVE...

www.soundcraft.com

Soundcraft

Harman International Industries Ltd., Cranborne House,

Cranborne Road, Potters Bar, Herts, EN6 3JN, UK.

Tel: +44 (0)1707 665000 Fax: +44 (0)1707 660742

E: info@soundcraft.com

Soundcraft USA

1449 Donelson Pike, Nashville, TN 37217, USA.

Tel: +1 (615) 360 0471 Fax: +1 (615) 360 0273

E: soundcraft-usa@harman.com

Since the launch of the original Spirit Folio in 1992, the Folio Range of mixers has

set the standards in the field of compact mixers. Ideal for both studio and live

applications, FX16, FX8, SX, F1 and Notepad still represent the pinnacle in compact

mixers for usability, sound quality and value for money.

Spirit Studio, a design that has remained virtually unchanged since its introduction

in 1991, has become a recording classic used by the likes of Portishead, M:People

and Radiohead.

Since its launch in 1998, the multi-award-winning Digital 328 console, with its

ground breaking easy-to-use interface, has revolutionized low cost digital mixing

in studios and live applications.

Soundcraft’s award-winning range of nearfield studio monitors – Absolute Zero,

Absolute 2 and Absolute 4P – have taken the Soundcraft name into top studios

such as The Roundhouse and Ridge Farm, and won many friends in the production

world. John Leckie and Tony Tavenor are just two internationally acclaimed

producers to use Soundcraft monitoring.

Soundcraft is committed to excellence in audio. In eighty-eight countries, in

countless studios, venues and recordings Soundcraft provides the inspiration. You

simply have to do the rest.

For details of the complete Soundcraft range contact your Soundcraft dealer or

visit the Soundcraft website where you’ll find comprehensive details of every

product, including downloadable PDF brochures, technical support and user group

information.

On the

ROAD

and in the

STUDIO

Around the

WORLD

32 Input Live Digital

Mixing Console

324 LIVE

A Range of

Professional Nearfield

Monitors

ABSOLUTE

Professional Multitrack

Recording Mixing

Consoles

STUDIO

Soundcraft’s Spirit range of live

and powered mixing consoles are

just part of their extensive range

of Professional Audio Equipment.

In the studio as well as on stage, Soundcraft’s designs have become

synonymous with versatility, innovation and sonic excellence.

Soundcraft reserves the right to improve or otherwise alter any information in this document or any

other documentation supplied hereafter. E&OE 02/02

This equipment complies with the EMC Directive 89/336/EEC

Spirit by Soundcraft Registered Community Trademark / RTM Nº 000557793

Soundcraft Registered Community Trademark / RTM Nº 000557827

Part Nº A4: ZL0527 US: ZL0528 02/02

16 Mono Channels

with onboard

Lexicon Effects

FX16

8 Mono Channels

with onboard

Lexicon Effects

FX8

12 Mono &

4 Stereo Inputs

6 or 8 Mono &

4 Stereo Inputs

4 Mono &

2 Stereo Inputs

NOTEPAD

MIXING CONSOLES

Mixing Consoles with

integral power amps

and Lexicon effects

POWERSTATION

1200 AND 600

Compact 10 Input

Mixing Console with

2 x 30W power amp

POWERPAD

POWERED MIXERS

32 Channel Digital

Mixing Console

DIGITAL 328XD

CONTENTS

2 3

AT THE HEART OF LIVE SOUND

Monitor 2

12-Bus Stage Monitor / FOH / Theatre Console

Features Pages 16 - 17

Controls & Connections Page 18

Specifications; Block Diagram Page 19

Spirit 8

8-Bus Professional Mixing Console

Features Pages 10 - 11

Controls & Connections Pages 12 - 14

Specifications; Block Diagram Pages 15

Live 42

4-Bus Professional Mixing Console

Features Pages 20 - 21

Controls & Connections Pages 22 - 23

Specifications; Block Diagram Page 24

M Series

Compact Mixing Consoles

Features Page 25

Controls & Connections Page 26

Specifications; Block Diagram Page 27

LX7

7-Bus Professional Mixing Console

Features Pages 28 - 29

Controls & Connections Pages 30 - 31

Specifications; Block Diagram Page 32

Applications Using Live Mixers in various applications

Live Mixing Page 33

Houses of Worship 34

Installed Sound 34

Outdoor Events Page 34

Theatre Sound 35

Presentations 35

33 - 35

10 - 32

4 - 9

Other Soundcraft Products

See Back Cover

Choosing & Using a

Live Mixer; FAQs

The Mixers in detail

Live Mixer

Applications

36 - 37

Choosing

Powered

Mixers

46 - 47

Powered Mixer

Applications

back cover

More Soundcraft

products

Choosing & Using Soundcraft Live Mixers

Quick Selection Table Page 4

Major features explained Pages 5 - 7

Frequently Asked Questions Pages 8 - 9

PowerStation

Powered Mixing Consoles

Features Pages 38 - 39

Controls & Connections Pages 40 - 41

Specifications; Block Diagram Page 42

aPowerpad

Compact Powered Mixing Console

Features Page 43

Controls & Connections Pages 43 - 44

Specifications; Block Diagram Page 44

Powered Mixers

Choosing Powered Mixers Page 36

Powered Mixer Features Page 37

Applications Using Powered Mixers in various applications

Live Mixing Page 45

Installed Sound 46

Outdoor Events 46

Presentations Page 46

Power Supply Data 47

(all models)

38 - 44

Powered Mixers

in detail

For nearly thirty years,

Soundcraft consoles have been

at the heart of live production

around the world. From

venues, theatres and houses of

worship to global stadium

tours by artists such as Bruce

Springsteen, Bryan Adams and

Garbage, Soundcraft consoles

are chosen for their

uncompromising sound quality,

comprehensive facilities,

intuitive operation and rugged

reliability.

Since its launch in 1991, the Spirit

range has continued the Soundcraft

tradition and has been responsible for

many ground-breaking new products

including the revolutionary Folio and

the multi-award winning Digital 328.

From young musicians to international

artists such as Jean-Michel Jarre, the

Manic Street Preachers and the

Chemical Brothers, the Spirit range has

become synonymous with professional

features, sound quality and reliability,

all at affordable prices.

Soundcraft’s success stems from years

of experience specialising in the design

and manufacture of mixing consoles.

Our Product Managers are in constant

communication with sound engineers

and musicians around the world,

ensuring the development of consoles

that truly match the needs of our

customers.

At Soundcraft’s manufacturing facility

outside London, we use world class

production techniques including the

latest surface mount technologies to

ensure every console is packed with

features. At the same time, we ensure

reliability with continual investment in

the latest testing systems, ensuring

every Soundcraft console is built and

tested to the same exacting standards.

This brochure outlines the key features

and specifications of the Spirit range

of Soundcraft live mixing consoles. For

more detailed information on

individual products, please contact

Soundcraft or your nearest dealer, or

visit the Soundcraft website shown on

the back cover.

TEXAS

GOMEZ

ASIAN DUB FOUNDATION

* No endorsements implied.

Famous Soundcraft users

today include artists like The

Orb, Manic Street Preachers,

Gomez, Jean-Michel Jarre,

Sasha, Catatonia, M:People,

the Chemical Brothers, Asian

Dub Foundation, Texas, Pulp

and Portishead*. To discover

for yourself why they all

chose Soundcraft, read on.

USING LIVE MIXERSCHOOSING A LIVE MIXER

QUICK REFERENCE TABLE

Applications

Large Bands FOH • •

Medium Bands FOH • • •

Small Bands FOH • • •

Touring • •

Stage Monitors • • •

Large Venue Installed •

Medium Venue Installed • • • •

Small Venue Installed • •

Club • • • •

Houses of Worship • • • •

Theatre • • • • •

Mono Inputs 4 •

8 •

12 • •

16 • •

24 • • • •

32 • • •

40 • • •

Sub Groups 8 12 (monitor) 4 4

Master Outputs 2 2 2 2 2

Matrix 2 - 2 - -

Stereo Inputs 4 - 2 (12 ch) 4 2

4 (16+ ch)

EQ Bands Lo Fixed 80Hz 80Hz 80Hz 60Hz 80Hz

Mono Lo Mid Sweep 80Hz-1.9kHz 80Hz-1.9kHz 80Hz-1.9kHz - 80Hz-1.9kHz

(±15dB) Hi Mid Sweep 550Hz-13kHz 550Hz-13kHz 550Hz-13kHz 240Hz-6kHz 550Hz-13kHz

Hi Fixed 13kHz 13kHz 13kHz 12kHz 13kHz

EQ Bands Lo Fixed 80/120Hz - 80/120Hz 60Hz 80Hz

Stereo Hi Fixed 6/12kHz - 6/12kHz 12kHz 12kHz

(±15dB)

High Pass Filters Mono inputs Mono inputs Mono inputs Mono inputs Mono inputs

Auxiliary Sends Pre Fade 2 12 3 2 4

Post Fade 2 12 3 2 6

Pre/Post switchable 2 12 1 - 4

Mute Groups 4 - 4 - -

FX Returns 8 x stereo 2 x stereo 4 x stereo 4 x stereo 2 x stereo

Inserts Mono inputs, Mono inputs,mix, Mono inputs, Mono inputs, Mono inputs,

groups, mix monitor sends groups, mix mix, mono out mix

Phantom Power Individual Individual Individual Global Global

For full information turn to pages... 10 - 15 16 - 19 20 - 24 25 - 27 28 - 32

Quick Reference

Mixer Selector LX7M SeriesLive 42

Spirit 8 Monitor 2

Clear layout is an important aspect of

mixer design that is often overlooked.

All Soundcraft desks follow the

familiar conventions of using white

fader tops for channels, and red fader

tops for groups. While it may sound

trivial, under pressure and in dimly-lit

clubs, it makes a big difference.

Furthermore, all Soundcraft live mixers

feature custom pots and faders,

ensuring that their sound quality is

matched by a usable, effective

interface. Both rotary pots and linear

faders have useful resolution all along

their travel,

giving you the confidence to fine

tune a mix properly.

USING HIGH-PASS FILTERS

Many engineers would say that a high-

pass filter is the most important

channel feature, enabling unwanted

low-frequency noise to be removed

from a signal. Mics on stage can pick

up a good deal of rumble, and by

using a HPF you can still employ the

low frequency

part of the

channel EQ for

creative work,

rather than

using it for

keeping stage

rumble at bay.

Whereas most

high-pass filters have a 12dB/octave

slope, Soundcraft filters have an ultra-

steep 18dB/octave slope which means

that more of the lower frequencies are

attenuated – a shallower slope allows

more bass frequencies to slip through,

making it less effective. By positioning

the filters at 100Hz, Soundcraft’s

HPFs act on the full range of lower

frequencies that can cause clarity

problems in mixing. (The more

commonly-used 50Hz or 75Hz filter

points work only on the very lowest

frequencies.)

USING LIVE MIXERS

You don’t have to take centre stage to

feel the heat of live performance – ask

any engineer, and they’ll tell you that

live mixing places special demands on

equipment and on personnel. In the

recording studio or in the dubbing

suite there’s always a second chance,

but in live sound you get only one

chance to get it right.

So when the pressure’s on, why do so

many engineers choose Soundcraft?

Perhaps because we’ve had nearly 30

years experience at the forefront of

professional live sound, listening to

engineers, and turning their comments

into practical products at all levels of

the market. From houses of worship

to concert halls, and from clubs and

bars to touring theatre companies, we

know what it takes to make a live

mixer perform: the right combination

of control features, presented in as

intuitive a manner as possible, plus

crystal-clear audio quality, to satisfy

audiences and performers who expect

‘CD-quality’ digital audio from even

the cheapest portable players or

keyboards. And to all this we add

something just as important – value

for money.

Thanks to smart design and advanced

manufacturing techniques – such as

automated surface mount technology

– you get more features per square

inch on a Soundcraft desk. And thanks

to efficient production, we can deliver

the best in audio quality and control at

a very reasonable price.

Let’s look at a few of the more

important features of live mixers, and

how they are used.

USING INPUTS

When choosing a live mixer, one of the

first things you should think about is

how many inputs and outputs you

need. Also, what types of inputs and

outputs are required – where do they

need to fit into the mixer’s signal path,

and what kind of physical connectors

should be present. Mono input

channels are generally best suited to

microphones, or guitars and bass

guitars connected via DI boxes. Both

XLR and jack inputs are offered on

most consoles, providing excellent

flexibility. Most inputs are balanced

30Hz 100Hz

0dB

-3dB

To help you find the right live

mixing console for your needs,

we’ve summarised the key

features and recommended

applications of each model

below.

For full product information and

specifications, please turn to the page

numbers shown.

preferred since a balanced cable will

reject interference and noise where an

unbalanced cable may pick up

unwanted signals from lighting and

other equipment.

STEREO INPUTS

Many sources in live and installed

sound are stereo – stereo keyboard

and sampler outputs, for example, CD

or MiniDisc players for background or

pre-show music, and stereo cart

players for effects in theatre. Although

you can use two mono channels for a

stereo source, stereo channels take up

half as much space on the desk, which

means more inputs in total. Stereo

channels are also easier to use, as you

only have a single set of controls for

level, aux sends and equalisation of

the stereo signal.

Other inputs, such as stereo returns

and effect returns, are intended mainly

for routing a signal back into the mixer

after it has passed through an external

processor (such as a reverb or delay),

but they can be also used for extra

instrument inputs. 2-track inputs,

where available, give a clean and direct

signal path from a stereo playback unit

to the mixer’s main outputs.

TAKING CONTROL

No matter how many advanced

features a desk has, they’re useless if

the mixer is too hard to use – so we

make sure that Soundcraft designs are

always easy to get to grips with. When

you’re working with a lot of inputs, or

when you have to accommodate

several bands or scenes in a show,

Mute Groups help to keep control of a

mix. Groups of channels can be set up

for different bands or scenes, and

switched in and out rather than

clumsily faded up and down.

BALANCED

SOURCE

BALANCED

MIC/LINE

INPUT

INTERFERENCE

SCREEN

Interference appears at the input

with same polarity on both the +

and - wires, and is rejected

Product specificaties

Merk:	Soundcraft
Categorie:	Niet gecategoriseerd
Model:	Spirit LX7

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