Soundcraft Spirit FX16 Handleiding

Soundcraft Niet gecategoriseerd Spirit FX16

Lees hieronder de 📖 handleiding in het Nederlandse voor Soundcraft Spirit FX16 (6 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 170 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

Pagina 1/6

Folio FX16

16 mono mic/

line inputs

Lexicon Effects

Processor

MAIN FEATURES

Digital Sound Quality

26 Inputs to Mix as standard

16 Mic/line

inputs with bullet-proof studio grade UtraMicª preamps

Built -in

Lexicon Dual Effects Processor with editable programs and parameters

16 pre/post switchable Direct Outs for recording or FX sends

4 Auxes including pre/post fader configurability

3-band British EQ

with swept mid on mono inputs

Steep 18dB per Octave HPFs on

mono ins

Real Solo-in-Place and PFL solo available

4 Bus Structure

with 2 subgroup outs

4 Stereo Returns for effects units or stereo

instruments

100mm tapered faders throughout

+48V Phantom

Power for condenser mics

Channel, Group and Mix Inserts

10 segment tri-coloured metering

Dedicated Mono Sum Output

Relocatable connector field

Rackmount Option

APPLICATIONS

Bands

Small venues

Clubs

Conferences

Schools

Places of worship

Digital and analogue

multitrack setups

(up to 16 tracks)

Small studios

Home studios

Pre-production suites

Video post

production suites

The 1st 16 mic/line input mixer

with on board Lexicon effects

FOLIO FX16

MIC/LINE INPUTS

1-4 Connectors

Each channel includes a

Direct Out for multitrack

recording or individual

eects feeds. A balanced

XLR connector allows you

to connect microphones,

with Phantom Power

available from the master

section for condenser mics.

The balanced 1/4" jack

allows you to connect

electronic instruments,

such as keyboards, with

balanced or unbalanced

cables. Connect signal

processors such as

compressors or graphic

EQs to each channel’s

insert point using a

“Y” cable.

5 Gain Control

Unlike the gain control on

some manufacturers’

mixers, the custom design

of the gain control on the

new UltraMic™ gives you

an even spread of gain and

a smooth response across

its 60dB range.

6 High Pass Filter

FX 16’s steep 18dB per

Octave High Pass Filter is

ideal for cutting out

unwanted low frequency

“muddiness” at live

performances or in the

studio. It is particularly

recommended for vocals.

7 Equaliser

Section

Spirit’s genuine 3 band

British EQ provides extra

clarity and control over

standard designs with the

xed high and low

frequency points carefully

chosen to add sizzle or

punch to your sound. In

addition, the swept mid

section allows you to

choose the frequencies that

need to be altered for the

optimum mix - something

that is not possible with a

xed mid control.

HF at 12kHz with 15dB of

cut or boost.

LF at 80Hz with 15dB of cut

or boost.

Mid EQ sweeps between

240Hz and 6kHz, with a Q

of 1.5 and 15dB of cut or

boost available.

8 Auxiliary Section

FX16 has 4 auxiliary

controls, allowing it to be

equally useful in live or

recording situations. Aux 1

is set to pre-fader/post-EQ

for stage monitoring or

studio foldback

applications, with Auxes 2

and 3 set post-fader/post-

EQ as eects sends.

However Aux 2 send is

switchable pre-fader per

channel, giving a maximum

of 2 foldback sends if

needed. Aux 4 is labelled

FX and is a dedicated post-

fade send

to the internal Lexicon

eects unit.

9 Pan

Governs the position of the

input signal in the stereo

Mix, and allows you to

route to the left and right

subgroup.

10 Routing Section

Each channel can be routed

to MIX and SUB outputs at

the same time.

11 Mute

Mutes the input signal to

Aux, Mix and Direct Out

when it is not required.

12 Solo

Normally FX16 offers a Pre-

Fade Listen Solo allowing

you to set the optimum

gain for your input signal.

However, when the SOLO

IN PLACE button is pressed

in the master section, your

signal will be solo’d in its

true stereo position, after

the fader, and including

any eects that have been

added. All channels which

are not solo’d are then

muted. This type of solo is

ideal for a studio mixdown

situation where tracks need

to be auditioned.

13 Peak LED

This dual function LED

lights 4dB before clipping

occurs or when the

channel’s solo is activated.

14 Direct Pre

Normally the channel’s

direct output is set post

fader for use as a studio

multitrack send or as an

individual eects send in a

live performance. Pressing

the PRE switch sets the

signal pre-fader, making

the send ideal as a live

multitrack feed,

independent of the Front-

of-House mix.

15 100mm Alps

Fader

Provides more resolution

than standard 60mm small-

mixer designs, giving you

more control in difcult

mixes where ne tuning is

required. An extra 10dB of

gain above the zero mark is

also provided for when you

need a little extra boost for

soloists.

GROUP/MASTER

SECTION

Connectors

16 2-Track Return

Two phono connectors

allow you to play back your

master stereo recording.

17 Mono Sum Out

This output is extremely

useful as an additional bass

bin send or as a side ll

feed. It may also be used

for mono PAs or as an

induction loop feed.

18 Monitor Outs

Connect these outputs to a

pair of neareld monitors

via an amplier.

19 Mix Outs

2 impedance-balanced male

XLR connectors allow you

to send the mix signal to a

pair of PA speakers, or to a

stereo mastering device if

recording.

20 Mix Inserts

For processing the mix

signal with a compressor/

limiter or other device,

using “Y” cables.

21 Subgroup Outs

2 impedance-balanced 1/4"

jacks for sending the

subgroup signal to a

multitrack or additional set

of speakers.

22 Subgroup

Inserts

Allow you to process the

subgroup signal with a

compressor or graphic EQ,

for example.

23 Auxiliary

Outputs

3 impedance-balanced 1/4"

jacks for sending signals to

eects units or

monitor/foldback

ampliers.

24 +48V Phantom

Power

Provides DC power to the

mic inputs for condenser

mics. The adjacent LED

illuminates when Phantom

Power is on.

25 Power LED

Indicates when FX16 is

powered up.

26 Stereo Return

Section

FX16 includes 4 stereo

returns which may be used

as returns from effects

units or as additional stereo

inputs for keyboards, CD

players or other stereo

sources. Each return may

be routed to Mix or the

Subgroup, with level being

governed by a rotary

control. Each return also

has access to either Aux 1

or Aux 2, allowing the

returns to be part of a

foldback mix so that it may

include reverb, or to have

access to their own eects

if they are being used as

stereo inputs. A rotary

control governs aux

send level.

27 Auxiliary Master

Section

4 rotary controls govern

the master levels of auxes

1-4 and the Lexicon eects

unit. Each master may be

solo’d after the fader.

28 Subgroup Faders

Two 100mm faders control

the left and right subgroup

levels.

29 Sub to Mix

This switch routes the

Subgroup to Mix.

30 2-Tk Ret

This rotary control sets the

playback level of any

mastering device (such as a

DAT or cassette recorder)

that you may have

connected.

31 Monitor Source

By pressing the associated

switches it is possible for

FX16 to monitor either the

Mix signal, the Subgroup

signal or a combination of

the two. When 2 Tk is

pressed, the 2-track return

signal replaces the mix or

subgroup selection. This

allows you to play back

your master recordings

without repatching.

32 2-Tk to Mix

The 2-track return may be

routed to mix, giving you

an extra stereo input or

eects return if you run

out of inputs. Alternatively

this switch allows you to

play pre-show or interval

music through the Front-

House PA without tying u

precious line inputs or

eects returns.

33 Solo-in-Place

Replaces PFL Solo with

Solo-in-Place. The

associated LED lights to

show when SIP is activated.

34 M eters

Two 10-segment tri-

coloured meters indicate

your selection: control

room, Mix, Subgroup, or

2-track levels. Alternatively,

they switch to showing

solo levels if any PFL, SIP

or AFL switch is pressed.

35 Monitor

This rotary control governs

the level of monitors outs.

36 Phones

This rotary control governs

the level in your

headphones.

37 Mix Faders

Two 100mm Alps faders

control the level from the

mix outputs.

38 Phones Socket

For connecting headphones

of 200 Ohms or greater

impedance.

Lexicon Effects Table

Param 1 control M i n i m u m M a x i m u m Pro gra m Description Param 2 control M i n i m u m M a x i m u m

Reverb decay 0.11 mSec 283 mSec 1 Gated Reverb Timbre 420Hz 19kHz

Reverb time 0.25 Sec 6.5 Sec 2 Chorus + Reverb Speed OFF 16 glides

Delay time N o delay 977 mSec 3 Chorus + Delay Speed OFF 16 glides

Depth 0.34 mSec 5.8 mSec 4 Large Chorus Speed OFF 16 glides

Reverb time 0.25 Sec 6.5 Sec 5 Plate Timbre 420Hz 19kHz

Reverb time 0.25 Sec 6.5 Sec 6 Ro om Timbre 420Hz 19kHz

Reverb time 0.25 Sec 6.5 Sec 7 Chamber Timbre 420Hz 19kHz

Reverb time 0.25 Sec 6.5 Sec 8 Hall Timbre 420Hz 19kHz

Delay time N o delay 977 mSec 9 Delay + Bright Plate Reverb time 0.25 Sec 6.5 Sec

Delay time N o delay 977 mSec 10 Delay + Dark Plate Reverb time 0.25 Sec 6.5 Sec

Delay time N o delay 977 mSec 11 Echo + Plate Regen 0% 94%

Delay time N o delay 977 mSec 12 Delay + Bright Ro om Reverb time 0.25 Sec 6.5 Sec

Delay time N o delay 977 mSec 13 Delay + Dark Room Reverb time 0.25 Sec 6.5 Sec

Delay time N o delay 977 mSec 14 Echo + Room Regen 0% 94%

Delay time N o delay 977 mSec 15 Delay + Mono Regen Regen 0% 94%

Delay time N o delay 977 mSec 16 Delay + Stereo Regen Regen 0% 94%

39 Pow er Socket

Rugged 4 pin XLR connector

for connecting FX16’s

external power supply.

40 Connector Panel

This may be relocated so that

FX16’s connectors are at the

42 Effects controls

FX16’s custom-developed

Lexicon dual eects section

provides a wide array of

studio-quality eects

including reverbs, choruses

and delays. Several dual

eects combinations such

as delay and reverb, and

chorus and reverb -

specially formulated for

Live performance - are also

available. Each eect has

reverb to a foldback mix,

or to mix external effects

with the Lexicon to create

unique combination eects.

44 Progra m m e

Select

Allows 16 pre-programmed

eect combinations, listed

in the table, to be selected.

45 Para m eter

A djust

When either the PARAM 1

or PARAM 2 switches are

held down the parameter

adjust encoder will alter the

level of these two eect

parameters. Any alterati

will be held in memory

soon as the PARAMETER

switch is released, with

User Mode LED indicatin

an alteration has been

made to the factory pres

Each factory preset may

restored by holding dow

the Parameter switches.

46 Footswitch

connector

(on rear of console) Allow

you to mute your eects

whilst on stage using a

standard latching guitar

foot-pedal.

two editable parameters

which may be stored as

user programs, so that

favourite settings may be

retained. The Lexicon

Eects table provides a

description of the eects

that are included.

43 Lexicon Effects

R eturn

A rotary control sets the

Lexicon eects return level

with the eects routable

either to Mix or to Sub. The

internal effects also have

access to either Aux 1 or

Aux 2, allowing you to add

41 R ack ears

These allow FX16 to be u

in a 19" rack.

rear of the console for

tabletop operation or on the

underside, saving space in

rackmount operation and

removing unsightly cables

from view.

18 19

20 21 22 23

Product specificaties

Merk:	Soundcraft
Categorie:	Niet gecategoriseerd
Model:	Spirit FX16

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