Shure SM86 Handleiding

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SM86

CARDIOID CONDENSER MICROPHONE

The Shure SM86 is a unidirectional (cardioid) condenser vocal

microphone for professional use in live performance. An extremely

rugged microphone, the SM86 withstands the rigors of touring

while delivering studio-quality sound. The tailored frequency

response of the SM86 reproduces vocals with clarity. A cardioid

pickup pattern isolates the main sound source while minimizing

unwanted background noise. The built-in three-point shock mount

minimizes handling noise, and a two-stage pop filter reduces wind

and breath “pop” noise. The SM86 is an excellent selection for use

with both stage monitors and personal in-ear monitors.

Features:

wCondenser cartridge for studio quality sound

wTailored frequency response for a clear reproduction of vocals

wRugged construction withstands the rigors of touring sound

wCardioid polar pattern minimizes unwanted background noise

wExcellent choice for stage monitors and personal in-ear

monitors

wBuilt-in three-point shock mount minimizes handling noise

wTwo-stage “pop” filter reduces wind and breath noise

PROXIMITY EFFECT

Unidirectional microphones, like the SM86, progressively boost

bass frequencies up to 15 dB as the microphone gets closer to the

sound source. This phenomenon, known as proximity effect, can

be used to create a warmer, more powerful sound. To prevent

excessive or “boomy” low frequency sound during close-up use,

the SM86 bass response gradually rolls off. This provides greater

control and helps the user take advantage of proximity effect.

APPLICATIONS AND PLACEMENT

The SM86 is ideal for close-up vocals and can be held in the hand

or mounted on a stand. Some of the most common applications and

placement techniques are listed in the following table. Keep in mind

that microphone technique is largely a matter of personal

taste—there is no one “correct” microphone position.

SUGGESTED MICROPHONE

PLACEMENT

TONE QUALITY

Lips less than 15 cm (6 in.) away or

touching the windscreen, on axis to

microphone.

Robust sound, emphasized

bass, maximum isolation from

other sources.

15 to 60 cm (6 in. to 2 ft.) away from

mouth, just above nose height.

Reduced bass.

More than 60 cm (2 ft.) away.Thinner, more distant sound;

noticeable levels of ambient

noise.

STAGE MONITOR & P.A. LOUDSPEAKER PLACEMENT

Place the stage monitor directly behind the microphone (see

Figure 1). Locate the P.A. loudspeakers so that they point away

from the rear of the microphone. With the speakers located in these

positions, the possibility of feedback is greatly reduced. Always

check the stage setup before a performance to ensure optimum

placement of microphone and monitors.

180°

90°

0°

90°

STAGE

MONITOR

P.A.

LOUDSPEAKERS

MICROPHONE SOUND

SOURCE

CARDIOID MICROPHONE POSITIONING

FIGURE 1

GENERAL RULES FOR MICROPHONE USE

1.Aim the microphone toward the desired sound source and

away from unwanted sources.

2.Locate the microphone as close as practical to the desired

sound source.

3.Work close to the microphone for extra bass response.

4.Use only one microphone per sound source.

5.Locate microphones at least three times as far from other

microphones as from the sound source.

6.Use as few microphones as practical.

7.Place microphones far from sound-reflecting surfaces.

8.Add a windscreen when using the microphone outdoors.

9.Avoid excessive handling to minimize mechanical noise.

Model SM86 User Guide

27A3143 (BH)

2002, Shure IncorporatedPrinted in U.S.A.

Product specificaties