Peavey PV 22 Handleiding
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PV
®
22
Compact Mixer
Operating
Manual
SOLO
MAIN L+R
OUTPUT
METERS
BUS OUTS
LR
MONO
(SUM)
STEREO
LEVEL
SOLO/MAIN
minmax
ANALOG
MEDIA CHANNEL
RL
USBA
USBB
Bluetooth
INPUT SELECT
HIGH
MID
USB B
USB B
RECORD LEVEL
minmax
TO CONTROL ROOM
minmax
EFX RETURN
minmax
KOSMOS-C
minmax
minmax
HIGH
LOW
21/22
3.5mm STEREO
MAIN OUTPUTS
FOOTSWITCH
AUX 2 SEND
USB
A
17
18R
L
RL
AUX 1 SEND
22 INPUT
p1
-x4 BUS - STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
PAIRING
PV 22
LEVEL
RL
CONTROL ROOM
SOLO/MAIN
LEVEL A/B
minmax
REC LEVEL
minmax
A/B SEL
B/REC
A
B/
REC
PHANTOM POWER
48V
MAIN RETURN
ASSIGN
SOLO
POST
MUTE
SOLO
ENABLE
LR
SOLO
ELECTRIC GUITAR PRE-SHAPE
1234567891011
1/4” HI-Z INPUT
12
1/4” HI-Z INPUT
13
1234
141516
MUTE
DIGITAL EFFECTS/MEDIA PLAYBACK
L/R1234
Press to
Select
Press to
Select
or edit
EFX SELECT
MEDIA SELECT
USB MEDIA PLAYBACK
1/2
3/4
L/R
10
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
1/2
3/4
L/R
11
HI-PASSHI-PASS
1/2
3/4
L/R
9
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
8
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
7
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
6
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
5
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
4
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
3
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
2
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
1
AUX 1
minmax
AUX 2
minmax
GAIN
minmax
PAN
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
c
RL
leftright
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASSHI-PASS
AUX 1
minmax
AUX 2
minmax
COMP
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
1/2
3/4
L/R
12
HI-PASS
AUX 1
minmax
AUX 2
minmax
COMP
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
1/2
3/4
L/R
13
AUX 1
minmax
AUX 2
minmax
COMP
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
14
AUX 1
minmax
AUX 2
minmax
COMP
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
L/R
15
AUX 1
minmax
AUX 2
minmax
COMP
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
HI-PASS
1/2
3/4
1/2
3/4
1/2
3/4
L/R
16
AUX 1
minmax
AUX 2
minmax
COMP
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
GAIN
minmax
BAL
MAIN
minmax
AUX 1
minmax
AUX 2
minmax
AUX 1
minmax
AUX 2
minmax
LOW
DIGITAL
MEDIA CHANNEL
HIGH
MID
GAIN
minmax
BAL
AUX 1
minmax
AUX 2
minmax
AUX 1 MASTER
minmax
AUX 2 MASTER
minmax
LOW
L/R
17/18
SOLO
SIGNAL
CLIP
MUTE
L/R
19/20
SOLO
SIGNAL
CLIP
MUTE
L/R
1
SOLO
SIGNAL
CLIP
MUTE
L/R
2
SOLO
SIGNAL
CLIP
MUTE
L/R
3
SOLO
SIGNAL
CLIP
MUTE
L/R
4
SOLO
SIGNAL
CLIP
MUTE
STEREO IN
L
R
21/22
19/20
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
HIGH
0
-
+
minmax
0
-
+
minmax
0
-
+
minmax
0
-
+
minmax
0
-
+
minmax
0
-
+
minmax
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
PV
®
22
Compact Mixer
Congratulations on purchasing the Peavey PV®22 Compact Mixer. e PV®22 is a studio-quality mixing console designed to meet diverse needs
while occupying a small space. is is the perfect console for small venue performances or home recording environments. PV 22 features built-in
DSP eects that are useful in real-world recording and sound reinforcement, while parameter controls allow you to tailor each eect to meet your
needs.
e PV22 includes 16 channels of Silencer™ mic preamps, a stereo channel, media channel with Bluetooth wireless input, high quality digital
eects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos audio enhancement, 48 volt phantom
power, dual selectable control room outputs, 6 channels of compression, two channels of on board selectable guitar preamp, 3-band EQ per chan-
nel with bypass, channel mute buttons, aux sends, signal clip indicators, and a stereo master LED meter bridge. is amazingly versatile mixer is at
home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device.
Additionally, the PV 22 can stream audio directly to a PC. MP3 playback is also available, just plug a ash drive with MP3 les on it into the USB
A port and use the LCD to select and playback music. e PV series Solo feature allows the user to listen to individual channels via headphone or
control room outputs and the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 6 Channels of
compression keep signals with dicult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specically for guitar.
Hi pass lters on every channel remove unwanted rumble and noise, and balanced AUX, Groups and Master outputs ensure a clean noise free
signal to your powered speakers or power amplier. e all new PV series non-powered mixers represent the pinnacle of performance and value.
Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.
FEATURES:
ENGLISH
Installation Note: is unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
• 16 Combination 1/4" and XLR low noise mic preamps
• Stereo 1/4", RCA or 3.5mm input channel
• Bluetooth wireless connectivity
• 3-band EQ on all channels
• 16 Channels of Peavey's Exclusive Mid-Morph
• 150 Hz hi-pass switch on all mic inputs
• LED clip and signal present indication
• Individual channel mutes
• EQ Bypass per mic channel
• On board studio quality digital eects with individual channel control
• Eects and playback LCD display
• Two Aux Sends, one selectable pre/post fader.
• Precision 60 mm faders
• Dual selectable control room outputs / Record out with independent level
• Global 48V phantom power
• Main stereo, Aux and Group outputs with balanced 1/4" and
XLR connectors
• Rugged console design
• 6 channels of built-in compression
• Stereo pan control per channel
• On-board USB-A, MP3, and WAV playback
• Kosmos -C bass and treble enhancement
• Channel 21/22 stereo return/input
• Individual Solo function
• Stereo USB-B streaming audio in and out
• High quality master LED meter bridge
• Master mute
• Studio quality headphone output
• Peavey's exclusive on-board 1 Meg guitar input
MIC/LINE INPUT (CH.1-16
)
is combination input jack accepts a ¼” or XLR balanced plug. e XLR balanced input is optimized
for a microphone or other low impedance source. e ¼” input is a TRS balanced type, and also accepts
ordinary TS guitar cables.
GAIN
e Input Gain control is used to establish proper gain structure in the channel. For best results, use the
Solo system (18) to monitor the channel while you set the gain. e goal is maximum gain without distor-
tion. Both the main LED meters (during Solo) and the channel’s Signal/Clip indicator (15) can be used for
adjusting gain. If the clip LED (15) comes on and remains lit, try reducing the gain.
150 Hz HI PASS FILTER
e hi pass lter has a corner frequency of 150 Hz. When engaged‚ it can improve clarity by removing
low frequencies that make a mix sound muddy. is feature is especially useful when playing outside on a
windy day or on a hollow-sounding‚ noisy stage. ese kinds of ambient noises can rob your sound system
of power. Engaging this switch will remove those frequencies from the system and restore power where
needed.
COMPRESSION CONTROL (Channels 11-16)
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of
compression. e compressor ratio is in the 4:1 range, varying with signal levels and the amount of com-
pression. is is useful for controlling peak levels from live sources, and has been designed to subtly tame
the levels of live vocals without noticeable artifacts.
Compressor LED
is LED illuminates when the compressor is actively compressing a signal. *not featured on channels 1-10.
Hi EQ
is active tone control (shelving type: ±15 dB) varies the level of the high frequency range.
MID-MORPH EQ (CH. 1-16)
Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned
counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise,
it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument denition can
be achieved.
Low EQ
is active tone control (shelving type: ±15 dB) varies the level of the low frequency range. Caution: Ex-
cessive low frequency boost causes greater power consumption and increases the possibility of speaker
damage.
EQ BYPASS
Engaging this button bypasses the equalization of the channel, allowing you to easily hear the eect of
the EQ settings.
AUX SEND 1
is control adjusts the level of the channel signal sent to the Aux 1 output. e signal is taken before the
channel level (17) but aer the channel EQ, meaning that changes to the EQ settings will aect the aux
mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors,
when used in a live performance, or to feed headphone ampliers in a recording situation.
AUX SEND 2
is control adjusts the level of the channel signal sent to the Aux 2 output. is signal can be sourced
either pre-fader or post fader. e pre-fader signal would be taken before the channel level fader (17),
but aer the channel EQ. e post-fader signal would be taken aer the channel level fader (17),
1
2
3
4
7
6
8
9
10
11
12
13
14
16
18
5
15
17
PV22 Front Panel (channels 1 - 16)
1
2
3
4
7
9
5
6
8
10
11
1/2
3/4
L/R
HI-PASS
c
RL
leftright
AUX 1
minmax
AUX 2
minmax
COMP
minmax
GAIN
minmax
PAN
EFX
minmax
SOLO
SIGNAL
CLIP
MUTE
S
HIGH
0
-
+
minmax
LOW
0
-
+
minmax
EQ BYPASS
MID-MORPH
0
low
high
-
+
Product specificaties
| Merk: | Peavey |
| Categorie: | Mengpaneel |
| Model: | PV 22 |
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