Jeep Wagoneer (2022) Handleiding

Jeep Auto Wagoneer (2022)

Lees hieronder de 📖 handleiding in het Nederlandse voor Jeep Wagoneer (2022) (44 pagina's) in de categorie Auto. Deze handleiding was nuttig voor 69 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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2022 GRAND WAGONEER/WAGONEER

OWNER’S MANUAL

3636

VLZ4 4•Bus

VLZ4 4•BusVLZ4 4•Bus

Dimensions

DimensionsDimensions

+6+6 U

UU 6.0 in

6.0 in

6.0 in6.0 in

153 mm

153 mm153 mm

1.8 in

1.8 in1.8 in 46 mm

46 mm

46 mm46 mm

29.4 in / 748 mm

29.4 in / 748 mm29.4 in / 748 mm

19.1 in / 486 mm

19.1 in / 486 mm19.1 in / 486 mm

6.0 in / 153 mm

6.0 in / 153 mm6.0 in / 153 mm

WEIGHT

WEIGHTWEIGHT

31.0

31.031.0 l

l lb

1414 .1

.1.1

kgkg

6.0 in

6.0 in6.0 in

153 mm

153 mm153 mm

1.8 in

1.8 in1.8 in

46 mm

46 mm46 mm 38.0 in / 964 mm

38.0 in / 964 mm

38.0 in / 964 mm38.0 in / 964 mm

19.1 in / 486 mm

19.1 in / 486 mm19.1 in / 486 mm

6.0 in / 153 mm

6.0 in / 153 mm6.0 in / 153 mm

WEIGHT

WEIGHTWEIGHT

33 9.

9.9. 0

00 l

l l b

11 7.

7.7. 7

kgkg

WARNING: Operating, servicing and maintaining a passenger vehicle or off-highway

motor vehicle can expose you to chemicals including engine exhaust, carbon monoxide,

phthalates, and lead, which are known to the State of California to cause cancer and

birth defects or other reproductive harm. To minimize exposure, avoid breathing exhaust,

do not idle the engine except as necessary, service your vehicle in a well-ventilated area and wear

gloves or wash your hands frequently when servicing your vehicle. For more information go to

www.P65Warnings.ca.gov/passenger-vehicle.

This Owner’s Manual illustrates and describes the operation of features and equipment that are either standard or optional on this vehicle. This manual

may also include a description of features and equipment that are no longer available or were not ordered on this vehicle. Please disregard any features

and equipment described in this manual that are not on this vehicle. FCA US LLC reserves the right to make changes in design and speciﬁcations, and/

or make additions to or improvements to its products without imposing any obligation upon itself to install them on products previously manufactured.

With respect to any vehicles sold in Canada, the name FCA US LLC shall be deemed to be deleted and the name FCA Canada Inc. used in substitution

therefore.

This Owner’s Manual is intended to familiarize you with the important features of your vehicle. Your most up-to-date Owner’s Manual, Navigation/

Uconnect manuals and Warranty Booklet can be found by visiting the website on the back cover.

U.S. Residents: If you are the ﬁrst registered retail owner of your vehicle, you may obtain a complimentary printed copy of the Warranty Booklet by

calling or by contacting your dealer. Replacement kits can be purchased by visiting 1-833-667-4825 www.techauthority.com.

Canadian Residents: If you are the ﬁrst registered retail owner of your vehicle, you may obtain a complimentary printed copy of the Warranty Booklet or

purchase a replacement kit by calling or by contacting your dealer.1-800-387-1143

3737

Owner’

Owner’Owner’ s Manual

s Manual

s Manuals Manual

Appendix D: USB

Appendix D: USBAppendix D: USB

Thebuilt-inUSBinterfaceallowsforsome

Thebuilt-inUSBinterfaceallowsforsomeThebuilt-inUSBinterfaceallowsforsome

powerfulandexiblerouting.Itisa4x2interface

powerfulandexiblerouting.Itisa4x2interfacepowerfulandexiblerouting.Itisa4x2interface

allowingyoutorecorduptofourstr

allowingyoutorecorduptofourstrallowingyoutorecorduptofourstreamsfromthe

eamsfromthe

eamsfromtheeamsfromthe

mixer

mixermixer ,ortoinputstereoplaybackfromacomputer

,ortoinputstereoplaybackfromacomputer

,ortoinputstereoplaybackfromacomputer,ortoinputstereoplaybackfromacomputer

androuteittonearlyanyoutputorpairofoutputs

androuteittonearlyanyoutputorpairofoutputsandrouteittonearlyanyoutputorpairofoutputs

onthemixer

onthemixeronthemixer .T

.T

.T.TousethisfeaturewithaPC,rst

ousethisfeaturewithaPC,rst

ousethisfeaturewithaPC,rstousethisfeaturewithaPC,rst

download the PC ASIO driver from www

download the PC ASIO driver from wwwdownload the PC ASIO driver from www.720trees.com.

.720trees.com.

.720trees.com. .720trees.com.

IfconnectingtoaMac,themixerwillshowupasa

IfconnectingtoaMac,themixerwillshowupasaIfconnectingtoaMac,themixerwillshowupasa

4x2devicewithnodriverrequir

4x2devicewithnodriverrequir4x2devicewithnodriverrequired.

ed.

ed.ed.

TheUSBroutingcapabilitiesareasfollows:

TheUSBroutingcapabilitiesareasfollows:TheUSBroutingcapabilitiesareasfollows:

USB input TO the mixer - playback:

USB input TO the mixer - playback:USB input TO the mixer - playback:

(1)Stereochannel23/24(onthe2404VLZ4)and

(1)Stereochannel23/24(onthe2404VLZ4)and(1)Stereochannel23/24(onthe2404VLZ4)and

31/32(onthe3204VLZ4)featuresaUSBbutton,soone

31/32(onthe3204VLZ4)featuresaUSBbutton,soone31/32(onthe3204VLZ4)featuresaUSBbutton,soone

mayroutecomputeroutput(suchasiT

mayroutecomputeroutput(suchasiTmayroutecomputeroutput(suchasiTunes

unes

unesunes

®®

)downthe

)downthe)downthe

last stereo channel of the board. This ster

last stereo channel of the board. This sterlast stereo channel of the board. This stereo signal may

eo signal may

eo signal may eo signal may

thenbeEQ'd,senttoauxiliaries(i.e.tofeedmonitors,

thenbeEQ'd,senttoauxiliaries(i.e.tofeedmonitors,thenbeEQ'd,senttoauxiliaries(i.e.tofeedmonitors,

headphonesoreffects)andisroutabletomainsand/or

headphonesoreffects)andisroutabletomainsand/orheadphonesoreffects)andisroutabletomainsand/or

subgroupsviathefaderroutingfeaturesthatar

subgroupsviathefaderroutingfeaturesthatarsubgroupsviathefaderroutingfeaturesthatare

e

ee

available on all other channels. In short, this signal may

available on all other channels. In short, this signal may available on all other channels. In short, this signal may

besenttonearlyanydesiredoutputorpairofoutputs.

besenttonearlyanydesiredoutputorpairofoutputs.besenttonearlyanydesiredoutputorpairofoutputs.

Additionally

AdditionallyAdditionally ,thegainknobatthetopofthischannel

,thegainknobatthetopofthischannel

,thegainknobatthetopofthischannel,thegainknobatthetopofthischannel

stripadjuststheUSBinputleveltothemixertoachieve

stripadjuststheUSBinputleveltothemixertoachievestripadjuststheUSBinputleveltothemixertoachieve

anoptimalsignallevel.

anoptimalsignallevel.anoptimalsignallevel.

(2)The2-T

(2)The2-T(2)The2-TrackReturnsectionfeaturesa“ip”

rackReturnsectionfeaturesa“ip”

rackReturnsectionfeaturesa“ip”rackReturnsectionfeaturesa“ip”

switch,soa“T

switch,soa“Tswitch,soa“Tape”source(connectedviaRCAcables,

ape”source(connectedviaRCAcables,

ape”source(connectedviaRCAcables,ape”source(connectedviaRCAcables,

suchasaniPod

suchasaniPodsuchasaniPod

®®)ortheUSBsignalfromacomputer

)ortheUSBsignalfromacomputer

)ortheUSBsignalfromacomputer)ortheUSBsignalfromacomputer

(playingWindowsMediaPlayer

(playingWindowsMediaPlayer(playingWindowsMediaPlayer

®®

les,forexample)may

les,forexample)mayles,forexample)may

beroutedtothemainbus.Thissectionalsofeaturesa

beroutedtothemainbus.Thissectionalsofeaturesaberoutedtothemainbus.Thissectionalsofeaturesa

solobuttonandinputleveladjustmentforfadinghouse

solobuttonandinputleveladjustmentforfadinghousesolobuttonandinputleveladjustmentforfadinghouse

musicupanddownbetweenbands,atahouseof

musicupanddownbetweenbands,atahouseofmusicupanddownbetweenbands,atahouseof





worship,oranyothereventwherethismaybe

worship,oranyothereventwherethismaybeworship,oranyothereventwherethismaybe

necessary

necessarynecessary .

USB output FROM the mixer - recording, etc:

USB output FROM the mixer - recording, etc:USB output FROM the mixer - recording, etc:

(1)Avarietyofdifferentsignalsmayber

(1)Avarietyofdifferentsignalsmayber(1)Avarietyofdifferentsignalsmayberecorded

ecorded

ecordedecorded

viatheUSBoutputsection,dependingonthesetup.In

viatheUSBoutputsection,dependingonthesetup.InviatheUSBoutputsection,dependingonthesetup.In

the'USBOUT'section,theswitchontheleft[51]will

the'USBOUT'section,theswitchontheleft[51]willthe'USBOUT'section,theswitchontheleft[51]will

selecteitherGroups1-2orthemainmixtofeedUSB

selecteitherGroups1-2orthemainmixtofeedUSBselecteitherGroups1-2orthemainmixtofeedUSB

outputchannels1-2.Thesecondswitch(totheright)

outputchannels1-2.Thesecondswitch(totheright)outputchannels1-2.Thesecondswitch(totheright)

willselecteitherGroups3-4orAux5-6tofeedUSB

willselecteitherGroups3-4orAux5-6tofeedUSBwillselecteitherGroups3-4orAux5-6tofeedUSB

outputchannels3-4.

outputchannels3-4.outputchannels3-4.

Forexample,withbothUSBouputswitchesinthe

Forexample,withbothUSBouputswitchesintheForexample,withbothUSBouputswitchesinthe

defaultposition(up),true4-trackrecordingmaybe

defaultposition(up),true4-trackrecordingmaybedefaultposition(up),true4-trackrecordingmaybe

accomplishedviaroutingtosubgroups1-4.TheUSBtap

accomplishedviaroutingtosubgroups1-4.TheUSBtapaccomplishedviaroutingtosubgroups1-4.TheUSBtap

pointsforthesubgroupsarepr

pointsforthesubgroupsareprpointsforthesubgroupsarepre-fader(alsopre-insert)

e-fader(alsopre-insert)

e-fader(alsopre-insert)e-fader(alsopre-insert)

andpost-compressor

andpost-compressorandpost-compressor .Thesignalswillshowuponthe

.Thesignalswillshowuponthe

.Thesignalswillshowuponthe.Thesignalswillshowuponthe

DADA Wdependentuponhowtheyarepannedonthe

Wdependentuponhowtheyarepannedonthe

WdependentuponhowtheyarepannedontheWdependentuponhowtheyarepannedonthe

channels.

channels. channels.

Inotherwords,ifsubgroups1and2areusedtosub

Inotherwords,ifsubgroups1and2areusedtosubInotherwords,ifsubgroups1and2areusedtosub-

mixdrumsandthosedrumshaveastereoimage

mixdrumsandthosedrumshaveastereoimagemixdrumsandthosedrumshaveastereoimage

(e.g.overheadsandtomspanaccordingtodesire),this

(e.g.overheadsandtomspanaccordingtodesire),this(e.g.overheadsandtomspanaccordingtodesire),this

stereoimageisr

stereoimageisrstereoimageisretainedintheDA

etainedintheDA

etainedintheDAetainedintheDA Winputs(assuming

Winputs(assuming

Winputs(assumingWinputs(assuming

subgroup1issetto“L”andsubgroup2issetto“R”).

subgroup1issetto“L”andsubgroup2issetto“R”).subgroup1issetto“L”andsubgroup2issetto“R”).

Anyadjustmentsmadetothesubgroupdrumlevels

AnyadjustmentsmadetothesubgroupdrumlevelsAnyadjustmentsmadetothesubgroupdrumlevels

duringtheshowonlypertaintotheliveshowitself;

duringtheshowonlypertaintotheliveshowitself;duringtheshowonlypertaintotheliveshowitself;

areadjustedonthechannels.However

areadjustedonthechannels.Howeverareadjustedonthechannels.However ,compr

,compr

,compr,compression

ession

essionession

settingsmadeonthemixerwillapplytotherecording.

settingsmadeonthemixerwillapplytotherecording.settingsmadeonthemixerwillapplytotherecording.

Likewise,itispossibletorecordthemainmixtotake

Likewise,itispossibletorecordthemainmixtotakeLikewise,itispossibletorecordthemainmixtotake

homeacopyoftheliveshow

homeacopyoftheliveshowhomeacopyoftheliveshow.Theselevelsarealso

.Theselevelsarealso

.Theselevelsarealso.Theselevelsarealso

pre-mainfader

pre-mainfaderpre-mainfader .Ther

.Ther

.Ther.Therefore,levelsmaybemixedupor

efore,levelsmaybemixedupor

efore,levelsmaybemixeduporefore,levelsmaybemixedupor

downintheDA

downintheDAdownintheDA Wlaterdependingontheneedsofthe

Wlaterdependingontheneedsofthe

WlaterdependingontheneedsoftheWlaterdependingontheneedsofthe

recordingversustheliveshow

recordingversustheliveshowrecordingversustheliveshow .Theendresultisthat

.Theendresultisthat

.Theendresultisthat.Theendresultisthat

fade-insand/orfade-outsmadeduringtheshowdonot

fade-insand/orfade-outsmadeduringtheshowdonotfade-insand/orfade-outsmadeduringtheshowdonot

affect recorded levels.

affect recorded levels.affect recorded levels.

Andnally

AndnallyAndnally ,itispossibletoroutetheaux5-6(again,

,itispossibletoroutetheaux5-6(again,

,itispossibletoroutetheaux5-6(again,,itispossibletoroutetheaux5-6(again,

pre-fader)mixersignalsintoaDA

pre-fader)mixersignalsintoaDApre-fader)mixersignalsintoaDA Worplug-inhost.

Worplug-inhost.

Worplug-inhost.Worplug-inhost.

Fromthere,r

Fromthere,rFromthere,re-routetheoutputoftheDA

e-routetheoutputoftheDA

e-routetheoutputoftheDAe-routetheoutputoftheDA W(orplug-in

W(orplug-in

W(orplug-inW(orplug-in

host)backintothemixer

host)backintothemixerhost)backintothemixer .V

.V

.V.Voilà...apowerfuloutboard

oilà...apowerfuloutboard

oilà...apowerfuloutboardoilà...apowerfuloutboard

effectsunit!

effectsunit!effectsunit!

Successhereispartiallydependentuponthe

SuccesshereispartiallydependentupontheSuccesshereispartiallydependentuponthe

computer'sspeed.Itneedstobefastenough

computer'sspeed.Itneedstobefastenoughcomputer'sspeed.Itneedstobefastenough

torunatlowbuffersizessothatthereisno

torunatlowbuffersizessothatthereisnotorunatlowbuffersizessothatthereisno

noticeablelatencybetweentheinputsignaland,say

noticeablelatencybetweentheinputsignaland,saynoticeablelatencybetweentheinputsignaland,say ,

,

,,

thereverbr

thereverbrthereverbreturn.Thiskindofexibleroutingallows

eturn.Thiskindofexibleroutingallows

eturn.Thiskindofexibleroutingallowseturn.Thiskindofexibleroutingallows

foravarietyofchoices:runningaux5-6aseffectssends

foravarietyofchoices:runningaux5-6aseffectssendsforavarietyofchoices:runningaux5-6aseffectssends

tooutboardgear

tooutboardgeartooutboardgear ,internaleffectssends(nativetothe

,internaleffectssends(nativetothe

,internaleffectssends(nativetothe,internaleffectssends(nativetothe

board),DA

board),DAboard),DA Wplug-ins(viaUSB)orasmonitormix

Wplug-ins(viaUSB)orasmonitormix

Wplug-ins(viaUSB)orasmonitormixWplug-ins(viaUSB)orasmonitormix

feeds...atrulypowerfulfeature!Besur

feeds...atrulypowerfulfeature!Besurfeeds...atrulypowerfulfeature!Besuretoreviewthe

etoreviewthe

etoreviewtheetoreviewthe

softwarer

softwarersoftwarerequirementsonwww

equirementsonwww

equirementsonwwwequirementsonwww .720trees.comtoconrm

.720trees.comtoconrm

.720trees.comtoconrm.720trees.comtoconrm

thatthelatestdevicedriversarecurr

thatthelatestdevicedriversarecurrthatthelatestdevicedriversarecurrentlyinuse.

entlyinuse.

entlyinuse.entlyinuse.

TABLE OF CONTENTS

1 INTRODUCTION ............................................................................................................................ 10

2 GETTING TO KNOW YOUR VEHICLE ..................................................................................18

3 GETTING TO KNOW YOUR INSTRUMENT PANEL ..................................................... 104

4 STARTING AND OPERATING ............................................................................................... 128

5 MULTIMEDIA ............................................................................................................................... 215

6 SAFETY ........................................................................................................................................ 262

7 IN CASE OF EMERGENCY ..................................................................................................... 319

8 SERVICING AND MAINTENANCE ....................................................................................... 341

9 TECHNICAL SPECIFICATIONS ........................................................................................... 403

10 CUSTOMER ASSISTANCE ..................................................................................................... 410

11 INDEX ..............................................................................................................................................414

3838

VLZ4 4•Bus

VLZ4 4•BusVLZ4 4•Bus

Appendix E: T

Appendix E: TAppendix E: Table of Effects Presets

able of Effects Presets

able of Effects Presetsable of Effects Presets

No.

No.No. Title

Title

TitleTitle

Description

DescriptionDescription Example of its use

Example of its use

Example of its useExample of its use

0101 Plate Reverb

Plate Reverb

Plate ReverbPlate Reverb

This preset emulates vintage mechanical reverberation

This preset emulates vintage mechanical reverberation This preset emulates vintage mechanical reverberation

that was generated with a metal plate. Its sound is char-

that was generated with a metal plate. Its sound is char-that was generated with a metal plate. Its sound is char-

acterized by lots of early reections and no pre-delay

acterized by lots of early reections and no pre-delayacterized by lots of early reections and no pre-delay.

Perfect for thickening percussive instru

Perfect for thickening percussive instruPerfect for thickening percussive instru

as a snare drum, or tight vocal arr

as a snare drum, or tight vocal arras a snare drum, or tight vocal arr

0202 V

VVocal Plate

ocal Plate

ocal Plateocal Plate

This vintage plate emulation is warmer than your

This vintage plate emulation is warmer than your This vintage plate emulation is warmer than your

standard plate, with a long reverberant tail, lots of fast

standard plate, with a long reverberant tail, lots of fast standard plate, with a long reverberant tail, lots of fast

reections and a ver

reections and a verreections and a ver y short pre-delay

y short pre-delay

y short pre-delayy short pre-delay.

. .

Particularly suited for vocal signals, b

Particularly suited for vocal signals, bParticularly suited for vocal signals, b

be used for extra-thick drum tracks.

be used for extra-thick drum tracks.be used for extra-thick drum tracks.

0303 W

WWarm Room

arm Room

arm Roomarm Room

This preset is characterized by lots of fast early reections

This preset is characterized by lots of fast early reections This preset is characterized by lots of fast early reections

with a short pre-delay to simulate the sound of a small,

with a short pre-delay to simulate the sound of a small, with a short pre-delay to simulate the sound of a small,

wood paneled room.

wood paneled room. wood paneled room.

Useful for adding a tight and contro

Useful for adding a tight and controUseful for adding a tight and contro

ambient effect to vocals and acoustic

ambient effect to vocals and acoustic ambient effect to vocals and acoustic

0404 Bright Room

Bright Room

Bright RoomBright Room

This room has a bright tone with lots of scattered reec-

This room has a bright tone with lots of scattered reec-This room has a bright tone with lots of scattered reec-

tions to simulate harder

tions to simulate hardertions to simulate harder, more reective surfaces.

, more reective surfaces.

, more reective surfaces. , more reective surfaces.

Useful on vocals that require a brigh

Useful on vocals that require a brighUseful on vocals that require a brigh

cut through the mix, or for giving

cut through the mix, or for giving cut through the mix, or for giving

ments a livelier vibe.

ments a livelier vibe. ments a livelier vibe.

0505 W

W Warm Lounge

arm Lounge

arm Loungearm Lounge

This preset features a medium sized room sound, with

This preset features a medium sized room sound, with This preset features a medium sized room sound, with

just enough enhancement of the lower mids to produce a

just enough enhancement of the lower mids to produce a just enough enhancement of the lower mids to produce a

warm tone.

warm tone. warm tone.

Useful for vocals on songs that requ

Useful for vocals on songs that requUseful for vocals on songs that requ

more “wet” sound, or for giving dim

more “wet” sound, or for giving dimmore “wet” sound, or for giving dim

bright horns without adding harshness.

bright horns without adding harshness. bright horns without adding harshness.

0606 Small Stage

Small Stage

Small StageSmall Stage

This preset simulates the sound of a small concert stage,

This preset simulates the sound of a small concert stage, This preset simulates the sound of a small concert stage,

with a medium reverb time and reverberant space.

with a medium reverb time and reverberant space. with a medium reverb time and reverberant space.

Useful for vocals or guitars in fast

Useful for vocals or guitars in fast Useful for vocals or guitars in fast

energy songs that call for a “live”

energy songs that call for a “live” energy songs that call for a “live”

reverberation.

reverberation.reverberation.

0707 W

WWarm Theater

arm Theater

arm Theaterarm Theater

This reverb has a warm bodied tone and medium long

This reverb has a warm bodied tone and medium long This reverb has a warm bodied tone and medium long

reverb time to simulate the live acoustics of a theater

reverb time to simulate the live acoustics of a theater reverb time to simulate the live acoustics of a theater

space.

space. space.

Perfect for vocals, drums, acoustic an

Perfect for vocals, drums, acoustic anPerfect for vocals, drums, acoustic an

guitars, keyboards, and more.

guitars, keyboards, and more. guitars, keyboards, and more.

0808 Bright Stage

Bright Stage

Bright StageBright Stage

This preset emulates the sound of a large performance

This preset emulates the sound of a large performance This preset emulates the sound of a large performance

stage, characterized by medium long reverb time and

stage, characterized by medium long reverb time and stage, characterized by medium long reverb time and

pre-delay

pre-delaypre-delay, plus a touch of sizzle.

, plus a touch of sizzle.

, plus a touch of sizzle. , plus a touch of sizzle.

Great for adding life and dimension

Great for adding life and dimension Great for adding life and dimension

other acoustic instruments, and for tha

other acoustic instruments, and for thaother acoustic instruments, and for tha

vocal sound.

vocal sound.vocal sound.

0909 W

WWarm Hall

arm Hall

arm Hallarm Hall

This reverb simulates the sound of a spacious, yet cozy

This reverb simulates the sound of a spacious, yet cozyThis reverb simulates the sound of a spacious, yet cozy,

, ,

heavily draped and carpeted concert hall with an espe-

heavily draped and carpeted concert hall with an espe-heavily draped and carpeted concert hall with an espe-

cially warm tone.

cially warm tone. cially warm tone.

Perfect for adding natural concer

Perfect for adding natural concerPerfect for adding natural concer t hal

t hal

t halt hal

to close-mic’ed orchestral instruments.

to close-mic’ed orchestral instruments. to close-mic’ed orchestral instruments.

1010 Concert Hall

Concert Hall

Concert HallConcert Hall

This hall reverb is characterized by its large, spacious

This hall reverb is characterized by its large, spacious This hall reverb is characterized by its large, spacious

sound, long pre-delay

sound, long pre-delaysound, long pre-delay, and vibrant tone.

, and vibrant tone.

, and vibrant tone. , and vibrant tone.

Adds life to acoustic instruments and

Adds life to acoustic instruments and Adds life to acoustic instruments and

solos to full-on symphonies and choir

solos to full-on symphonies and choirsolos to full-on symphonies and choir

1111 Cathedral

Cathedral

CathedralCathedral

This reverb emulates the extremely long tails, dense dif-

This reverb emulates the extremely long tails, dense dif-This reverb emulates the extremely long tails, dense dif-

fusion and long pre-delays and reections that would be

fusion and long pre-delays and reections that would be fusion and long pre-delays and reections that would be

found in a ver

found in a verfound in a ver y large, stone walled house of worship.

y large, stone walled house of worship.

y large, stone walled house of worship. y large, stone walled house of worship.

Gives amazing depth to choirs, wind

Gives amazing depth to choirs, wind Gives amazing depth to choirs, wind

organs, and soft acoustic guitars.

organs, and soft acoustic guitars. organs, and soft acoustic guitars.

1212 Gated Reverb

Gated Reverb

Gated ReverbGated Reverb

This preset incorporates an age-old trick whereby an

This preset incorporates an age-old trick whereby an This preset incorporates an age-old trick whereby an

extremely dense reverb is processed through a fast gate

extremely dense reverb is processed through a fast gate extremely dense reverb is processed through a fast gate

for an interesting, albeit articial, sound.

for an interesting, albeit articial, sound. for an interesting, albeit articial, sound.

Most often used to fatten snare drum

Most often used to fatten snare drumMost often used to fatten snare drum

without clutter

without clutterwithout clutter.

. .

1313 Chorus

Chorus

ChorusChorus

This preset provides a soft, ethereal sweeping effect that

This preset provides a soft, ethereal sweeping effect that This preset provides a soft, ethereal sweeping effect that

is useful for thickening and for making a particular sound

is useful for thickening and for making a particular sound is useful for thickening and for making a particular sound

pop out of the mix.

pop out of the mix. pop out of the mix.

Perfect for enhancement of electric an

Perfect for enhancement of electric anPerfect for enhancement of electric an

guitar and bass, or to add a drama

guitar and bass, or to add a dramaguitar and bass, or to add a drama

vocals, particularly group harmonies an

vocals, particularly group harmonies anvocals, particularly group harmonies an

1414 Chorus + Reverb

Chorus + Reverb

Chorus + ReverbChorus + Reverb

This preset perfectly combines the chorus ef

This preset perfectly combines the chorus efThis preset perfectly combines the chorus ef fect above

fect above

fect above fect above

with a large, roomy reverb.

with a large, roomy reverb. with a large, roomy reverb.

This lets you both thicken your soun

This lets you both thicken your sounThis lets you both thicken your soun

chorus effect while adding warmth an

chorus effect while adding warmth anchorus effect while adding warmth an

ness thanks to the smooth reverb.

ness thanks to the smooth reverb.ness thanks to the smooth reverb.

This effect simulates the sound of a vocal or instrument

This effect simulates the sound of a vocal or instrument This effect simulates the sound of a vocal or instrument

being recorded twice (double tracked) on a multi-track

being recorded twice (double tracked) on a multi-track being recorded twice (double tracked) on a multi-track

recorder

recorderrecorder.

. . Provides a vibe that is similar to c

Provides a vibe that is similar to c

Provides a vibe that is similar to cProvides a vibe that is similar to c

the subtle swirl.

the subtle swirl. the subtle swirl.

1616 T

TTape Slap

ape Slap

ape Slapape Slap

This effect provides a single, relatively rapid delay of the

This effect provides a single, relatively rapid delay of the This effect provides a single, relatively rapid delay of the

original signal, with the added warmth that vintage tape-

original signal, with the added warmth that vintage tape-original signal, with the added warmth that vintage tape-

based echo units provided.

based echo units provided. based echo units provided. Often used on vocals for a 1950’

Often used on vocals for a 1950’

Often used on vocals for a 1950’Often used on vocals for a 1950’s

s s

guitars for a surf-type tone. Often u

guitars for a surf-type tone. Often uguitars for a surf-type tone. Often u

whose favorite number is 16.

whose favorite number is 16.whose favorite number is 16.

1717

1818

1919

2020

2121

2222 DL

DLDLY 1 Bright (350ms)

Y 1 Bright (350ms)

Y 1 Bright (350ms)Y 1 Bright (350ms)

DLDLY 1 W

Y 1 W

Y 1 WY 1 Warm (300ms)

arm (300ms)

arm (300ms)arm (300ms)

DLDLY 2 Bright (250ms)

Y 2 Bright (250ms)

Y 2 Bright (250ms)Y 2 Bright (250ms)

DLDLY 2 W

Y 2 W

Y 2 WY 2 Warm (200ms)

arm (200ms)

arm (200ms) arm (200ms)

DLDLY 3 Bright (175ms)

Y 3 Bright (175ms)

Y 3 Bright (175ms)Y 3 Bright (175ms)

DLDLY 3 W

Y 3 W

Y 3 WY 3 Warm (150ms)

arm (150ms)

arm (150ms)arm (150ms)

These 6 delay presets provide one (delay 1), three (delay

These 6 delay presets provide one (delay 1), three (delay These 6 delay presets provide one (delay 1), three (delay

2), or six (delay 3) repeats of the original signal. The

2), or six (delay 3) repeats of the original signal. The 2), or six (delay 3) repeats of the original signal. The

default delay time for each preset is shown in mS - the

default delay time for each preset is shown in mS - the default delay time for each preset is shown in mS - the

smaller the time, the faster the delay

smaller the time, the faster the delaysmaller the time, the faster the delay. Delay times can

. Delay times can

. Delay times can . Delay times can

easily be customized to suit the moment by tapping the

easily be customized to suit the moment by tapping the easily be customized to suit the moment by tapping the

knob [63] more than once.

knob [63] more than once. knob [63] more than once. These work best with full, up-beat m

These work best with full, up-beat m

These work best with full, up-beat mThese work best with full, up-beat m

where the delay needs to cut throug

where the delay needs to cut througwhere the delay needs to cut throug

WWarm delays get progressively softer

arm delays get progressively softer

arm delays get progressively softer arm delays get progressively softer

in tone with each repetition and wor

in tone with each repetition and worin tone with each repetition and wor

slow

slowslow, mellow music. Bright delays ha

, mellow music. Bright delays ha

, mellow music. Bright delays ha, mellow music. Bright delays ha

that are consistent in tone with the

that are consistent in tone with the that are consistent in tone with the

2323 Chorus + DL

Chorus + DL

Chorus + DLChorus + DLY (300ms)

Y (300ms)

Y (300ms)Y (300ms)

This effect combines the thickening ef

This effect combines the thickening efThis effect combines the thickening ef fect of the chorus

fect of the chorus

fect of the chorus fect of the chorus

with the echoes of the 3-repeat delay effect.

with the echoes of the 3-repeat delay effect. with the echoes of the 3-repeat delay effect.

Delay times can easily be customized to suit the moment

Delay times can easily be customized to suit the moment Delay times can easily be customized to suit the moment

by using the T

by using the Tby using the Tap feature.

ap feature.

ap feature.ap feature. Useful on a clean electric guitar tha

Useful on a clean electric guitar tha

Useful on a clean electric guitar thaUseful on a clean electric guitar tha

mildly swirling, ethereal tone.

mildly swirling, ethereal tone. mildly swirling, ethereal tone.

2424 Reverb + DL

Reverb + DL

Reverb + DLReverb + DLY (200ms)

Y (200ms)

Y (200ms)Y (200ms)

This effect combines the W

This effect combines the WThis effect combines the Warm Theater reverb effect with

arm Theater reverb effect with

arm Theater reverb effect with arm Theater reverb effect with

the echoes of the 3-repeat delay effect.

the echoes of the 3-repeat delay effect. the echoes of the 3-repeat delay effect.

Delay times can easily be customized to suit the moment

Delay times can easily be customized to suit the moment Delay times can easily be customized to suit the moment

by using the T

by using the Tby using the Tap feature.

ap feature.

ap feature.ap feature. Perfect for thickening vocals while ad

Perfect for thickening vocals while ad

Perfect for thickening vocals while adPerfect for thickening vocals while ad

sions, it can also be used as a sp

sions, it can also be used as a spsions, it can also be used as a sp

electric guitars.

electric guitars.electric guitars.

Forpresets17to24,thedelaycanbeenter

Forpresets17to24,thedelaycanbeenterForpresets17to24,thedelaycanbeenteredbyt

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Product specificaties

Merk:	Jeep
Categorie:	Auto
Model:	Wagoneer (2022)

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