Hughes & Kettner ATS 120 Handleiding
Hughes & Kettner
Niet gecategoriseerd
ATS 120
Lees hieronder de 📖 handleiding in het Nederlandse voor Hughes & Kettner ATS 120 (9 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 4 personen en werd door 2.5 gebruikers gemiddeld met 4.9 sterren beoordeeld
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Congratulations on the purchase of
your Hughes
Kettner ATS
The
ATS 120 has been developed to combine optimum sound quality and flexibility with
simple, user-friendly operation.
The ATS
120‘s
design makes the majority of functions self-explanatory. This user
manual is intended to give you an overview of all the possibilities and features of the
amplifier.
Enjoy your ATS
120!
Front panel control elements
(1) INPUTS:
sockets for connecting your instrument cable.
Nowadays, many different electric guitars are available, ranging from the classic Strat
with its “single coil” pickups to modern designs incorporating very high power active
humbucking units. To ensure that all types of pickups can be ideally matched to the
preamp of the ATS 120, two inputs are provided with different sensitivity ratings.
LO:
Input for guitars fitted with high output
/
active pickup systems.
HI:
Input for guitars fitted with traditional passive pickup systems.
The ATS 120‘s three channels
The Hughes
&
Kettner ATS 120 offers three separate channels, each of which has it‘s
own distinctive sound characteristics. The individual channels offer a wide variety of
different sounds thanks to their independent GAIN / VOLUME controls and
equalisation sections.
Selecting a channel
Above the individual VOLUME or GAIN control of each channel (Clean
-
Volume,
Crunch
-
Gain and Lead
-
Gain) there is a pushbutton which is used to activate it.
The active channel is indicated by an arrow-shaped LED. When using the CRUNCH
and LEAD channels, different
coloured LED arrows are used to indicate which GAIN
and MASTER controls are operational.
The ATS 120 Clean channel
The CLEAN Channel is a “solid state” (i.e. transistor) design. This provides the
crystal-clear sounds popular with contemporary recording artists. However,
traditional
passive three-band equalisation controls and the “Soft-Click” circuitry make
it possible to reproduce the mild distortion characteristics of a vintage valve amplifier.
The “Soft Click” circuit prevents hard-sounding, unattractive transistor distortion and
provides pleasant, lightly distorted clean sounds at higher gain settings.
(2)
VOLUME :
determines the volume of the CLEAN channel. At settings around 8 or 9, mildly
distorted “clipped” rhyhm sounds can be produced from single coil pickups. Higher
output pickups will produce a similar effect at a correspondingly lower setting.
(3)
BASS, MID, TREBLE :
the CLEAN channel‘s three tone controls can be used to generate a wide variety of
different clean sounds. Start from the standard setting (Bass, Mid, Treble all at the 12
o‘clock position ) and alter the positions to suit your taste.
(4)
BRIGHT:
activating the BRIGHT switch gives additional boost to the very high, shimmering
harmonics present in the clean channel.
The ATS 120 Crunch channel
The CRUNCH channel of the ATS 120 is a tube design, offering the distinctive
characteristics of traditional tube amplifiers. Depending of the GAIN setting chosen
and the type of pickups being used, CRUNCH provides a broad spectrum of valve
sounds, from clean to overdrive.
The CRUNCH channel on the
ATS
120 has an extremely broad dynamic range, the
degree of distortion generated can be very finely adjusted by varying your attack and the
volume setting on the guitar itself.
(5)
CRUNCH GAIN:
determines the input sensitivity, thus matching the channel to the pickup output. Low
GAIN settings make it possible to produce clean to lightly distorted sounds; a high
setting produces the classic valve overdrive sounds.
(6)
CRUNCH VOL.:
controls the CRUNCH channel‘s volume in relation to the Clean and Lead channels.
(1)
(2)
(4)
(3) (5)
0
(5)
(10)
The ATS 120 Lead channel
(7) LEAD GAIN:
determines the input sensitivity of the LEAD channel, allowing fine tuning of the degree
of distortion and the intensity of the compression effect typical for tubes.
(8)
LEAD FAT:
The LEAD FAT switch only affects the LEAD channel, it makes the lead sound fuller.
Even “thin”-sounding guitars can be given noticeably more punch by using the LEAD
FAT function.
(9)
LEAD VOL:
the LEAD VOL. control determines the LEAD channel‘s volume relation to the Clean
and Crunch channels, without altering the character of the sound.
The tube channel‘s equalisation section
(10)
CRUNCH and LEAD have a shared four-band active equalisation section which can be
used to cut and boost the amount of particular frequencies present in the signal. The
sound of each channel is carefully tuned to ensure that using a particular setting for
both of them will produce a natural-sounding transition.
BASS:
controls the bottom end fundamentals of the sound, giving it punch.
Approx. +/- 10
dB
a t
120 Hz
MID:
controls the amount of sustain available and the penetration characteristics.
Approx. +/- 12 d B a t 850 Hz
TREBLE:
provides precise control over the “cut” and bite of the guitars sound.
Approx. +/- 10
dB
a t
4,2
kHz
PRESENCE: controls the harmonic content, providing crisper Crunch and searing
Lead. Approx. +/- 16
dB
a t
12
kHz.
Product specificaties
| Merk: | Hughes & Kettner |
| Categorie: | Niet gecategoriseerd |
| Model: | ATS 120 |
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