4ms Tapographic Delay Handleiding

4ms Niet gecategoriseerd Tapographic Delay

Lees hieronder de πŸ“– handleiding in het Nederlandse voor 4ms Tapographic Delay (20 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 24 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

Pagina 1/20
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Tapographic Delay
 
from 4ms Company and Matthias Puech
         
User Manual 1.0 – November 3, 2017           
for firmware v1.0   
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Table of Contentsξ™’
   
Introduction 3ξ™’
Background 4ξ™’
      What’s a multi-tap delay? 4ξ™’
    What’s a tapography? 6ξ™’
Installation 6ξ™’
          Getting started: Your first TD patch 7ξ™’
Create a new Tapography 7ξ™’ξ˜     
Editing your Tapography 8ξ™’ξ˜   
Saving your Work 8ξ™’ξ˜   
Explore the Knobs 8ξ™’ξ˜   
Explore the Switches 8ξ™’ξ˜   
Explore the Buttons 9ξ™’ξ˜   
Sequencer Mode 9ξ™’ξ˜ 
Controls 9ξ™’
Signal path 12
  ξ™’
Editing tapographies 13
  ξ™’
Entering Taps 13ξ™’ξ˜ 
ADD/OFF/INS Switch 13ξ™’ξ˜ 
RES/AMP/LPF Switch 14ξ™’ξ˜ 
Upper Button Row 14ξ™’ξ˜   
Settings Menu 14
  ξ™’
Navigating tapographies 16
  ξ™’
Loading a tapography 16ξ™’ξ˜   
Saving a tapography 16ξ™’ξ˜   
  Sequencer mode 17ξ™’
Advanced features 17
  ξ™’
Velocity normalization jumper 17ξ™’ξ˜   
  Firmware update 18ξ™’
Calibration 19ξ™’
  Factory tapographies 19ξ™’
Banks A - D 19ξ™’ξ˜     
          Reset a bank to factory default 21ξ™’
Acknowledgments 21ξ™’
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Page
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Introductionξ™’
The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a uniqueξ™’ξ˜                            
interface designed for live performance. It excels at transforming the simplest audio (aξ™’ξ˜                       
drone, a percussive sound) into complex rhythmic structures, meshes of organic textures,ξ™’ξ˜                     
lush harmonic mille-feuilles, liquid and resonant effects… plus everything we have notξ™’ξ˜                     
explored yet!ξ™’ξ˜ 
Have you ever got tired of the monotonous repetitions that your standard delayξ™’ξ˜                       
pedal/module produced? Have you ever wished for a more complex rhythmic structure thanξ™’ξ˜                       
just decaying repetition? If yes, you have come to the right place: the Tapographic Delay isξ™’ξ˜                             
an advanced effect that lets you handle repetition in ax completely novel way. It is in a wayξ™’ξ˜                                 
to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control,ξ™’ξ˜                         
tactile input) is to a simple clock. With the TD, you interactively define the rhythm that theξ™’ξ˜                               
repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, andξ™’ξ˜                       
sequence your own arrangements of delays. In a sense, the TD is the converse of theξ™’ξ˜                             
classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70’s: youξ™’ξ˜                     
don't play the guitar, you play the tape loop!ξ™’ξ˜               
The Tapographic Delay is an expressive experimental instrument meant to be played inξ™’ξ˜                       
real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Pushξ™’ξ˜                     
it to its limits!ξ™’ξ˜     
●Velocity-sensitive force sensor to tap the delay configurations (                tapographies

)ξ™’
●Up to 32 taps, each with its own delay time, amplitude/filter and panningξ™’ξ˜                       
●Low-pass filter or resonant (pingable) band-pass filter on each tapξ™’ξ˜                 
●Morphing between delay configurations, with adjustable morph timeξ™’ξ˜             
●Two different feedback paths: a Repeat toggle and a Feedback knobξ™’ξ˜                   
●Save and recall up to 24 delay configurations (4 banks of 6 slots each)ξ™’ξ˜                         
●Tapography sequencer with forward, random walk or random directionsξ™’ξ˜               
●Synchronization to an external clock, with clock divider/multiplierξ™’ξ˜             
●Gate output that plays the current rhythm of delaysξ™’ξ˜               
●Maximum delay time of 174 seconds (almost 3 minutes)ξ™’ξ˜               
●16 bits/48kHz with 32 bits floating-point internal processing, 1.3ms software latencyξ™’ξ˜                   
●Mono-in, stereo-out operationξ™’ξ˜   
●18HP Eurorack moduleξ™’ξ˜   
●Current consumption: 125mA of +12V; 32mA of -12V. (10-to-16pin cable included)ξ™’ξ˜                   
●0.98" (25mm) maximum depth with power cableξ™’ξ˜           
●Dry frequency response: 20Hz - 5kHz: +/-0.1dB. @10kHz: -2.3dB. @20kHz: -7.8dBξ™’ξ˜                   
●Audio inputs max 22Vpp. Audio outputs soft-limit at max 17Vppξ™’ξ˜                 
●Trigger/clock inputs: +2V minimum, +12V maximumξ™’ξ˜         
●Gate (trigger) output: +8V, 4ms pulse widthξ™’ξ™’ξ˜           
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Product specificaties

Merk: 4ms
Categorie: Niet gecategoriseerd
Model: Tapographic Delay

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